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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Fairfield, Patrick K.

Year: 2000
Complete Citation:
Fairfield, Patrick K. “Representations of gender and sexuality in the music and writings of Charles Ives.” Ph.D. diss., Brandeis University, 2000.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fairman, Richard

Year: 2015
Complete Citation:
Fairman, Richard. “Charles Ives: Symphonies Nos 1 and 2 -- Review.” FT.com. 2015.
Source: Online Article
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Falcinelli, Sylviane

Year: 2001
Complete Citation:
Falcinelli, Sylviane. “William Shuman: “Concerto pour violon. New England Triptych.” Ives: “Variations on ‘America’ (orch. Schuman).” Diapason: le magazine du disque et de la musique vivante (2001): 134.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Feinberg, Alan

Year: 1998
Complete Citation:
Feinberg, Alan. “An Ives Premiere: The “Emerson” Concerto-An Ultimate Statement.” American Record Guide, Vol. 61, No. 6 (1998): 6-8.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1998
Complete Citation:
Feinberg, Alan. “An Ives premiere.” American Record Guide 61/6 (Novem-ber-December 1998): 6-8.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fessel, Pablo

Year: 2006
Complete Citation:
Fessel, Pablo. “Heterogeneidad y concreción en la simultneidad musical. Una caracterización teórica e histórica del concepto de textura.” Doctoral thesis, Universidad de Buenos Aires, 2005.
Source: Doctoral Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Filho, Carlos Marigo

Year: 2001
Complete Citation:
Filho, Carlos Marigo. “L'allusion musicale au début du XXe siècle.” Ph.D. diss., Université Panthéon-Sorbonne (Paris), 2001.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Finch, Hilary

Year: 1999
Complete Citation:
Finch, Hilary. “New Classical CDs: 1N Edition 1.” Times, February 25, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fine, Elaine

Year: 2000
Complete Citation:
Fine, Elaine. “Review of Ives, Trio (Sound Recording).” American Record Guide 63/6 (November-December 2000): 124.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2015
Complete Citation:
Fine, Elaine. “Collections: “American Chamber Pieces.”” American Record Guide, Vol. 78, No. 1 (2015): 214.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Finn, Robert

Year: 1999
Complete Citation:
Finn, Robert. “Concerts Everywhere: Cleveland-Cleveland Orchestra: Ives “Emerson Concerto” [Premiere].” American Record Guide, Vol. 62, No. 1 (1999): 47-48.
Source: Magazine (recording review/premiere)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fisk, Josiah

Year: 1991
Complete Citation:
Fisk, Josiah. Recordings in Review -- Charles Ives' Calcium Night Light, Country Band March, Largo Cantabile, Hymn, Postlude in F and Set of Four Ragtime Dances performed by the Orchestra New England under James Sinclair. Musical America, Vol. 111, No. 2 (1991): 77.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Flanagan, William

Year: 1966
Complete Citation:
Flanagan, William. “Charles Ives ‘Robert Browning Overture.’” HiFi/Stereo Review 16, no. 5, May 1966, p. 69-70.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fouse, Kathryn Lea

Year: 1992
Complete Citation:
Fouse, Kathryn Lea. “Surrealsim in the Piano Music of Representative 20th-century American Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1992.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1993
Complete Citation:
Fouse, Kathryn Lea. “Surrealism in the Music of Representative Twen-tieth-Century Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1993.
Notes:

Chapter 2 cites appearances of surrealism characteristics as defined in this paper.

Source: D.M.A. Dissertation.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fox, Gerald S.

Year: 2002
Complete Citation:
Fox, Gerald S. “An American Salute.” American Record Guide, Vol. 65, No. 6 (2002): 202.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Frank, Alan Robert

Year: 1969
Complete Citation:
Frank, Alan Robert. “The Music of Charles Ives: For Presentation in the Listening Program of the Secondary School.” Ed.D. diss., Columbia University, 1969.
Source: Ed.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Frankenstein, Alfred

Year: 1960
Complete Citation:
Frankenstein. Alfred. “From Bernstein and the Philharmonic- Ives’s Second Symphony Grandly Conceived.” High Fidelity 10, no. 7 (November 1960): 75-76.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1965
Complete Citation:
Frankenstein. Alfred. “Ives’s Fourth Symphony-An ‘Unplayable’ Work Gets Played.” High Fidelity/Musical America 15. no. 11 (November 1965): 83-84.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Frankenstein, Alfred. “Ives: Music for Chorus.” High Fidelity/Musical America 17/1, January 1967.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews