Image
Complete Citation:
Baron, Carol Kitzes. “Dating Charles Ives’s Music: Facts and Fictions.” Journal of the American Musicological Society Vol. 28, No. 1 (Winter 1990): 20-56.
Bibliography
Genres
Baron, Carol Kitzes
Year: 1990
Notes:
Also presented as a lecture in August 1991 at the Leighton Artists Center, Alberta Canada. Titled “Dating Ives’s Musical Manuscripts with Graphic Evidence."
Source: Journal
VI. Topical Studies
C. Chronology
C. Chronology
Budiansky, Stephen
Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Burkholder, J. Peter
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives and his Fathers: A Response to Maynard Solomon.” Institute for Studies in American Music Newsletter Vol. 18, No. 1 (November 1988): 8-11.Source: Journal
VI. Topical Studies
C. Chronology
C. Chronology
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Chronology” and “A Note on the Dating of Ives's Music.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 1-3. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
C. Chronology
C. Chronology
Carlson, Michael
Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.Notes:
“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Cave II, Lawrence Harold
Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Cohn, Arthur
Complete Citation:
Cohn, Arthur. “Charles Ives.” In Recorded Classical Music: A Critical Guide to Compositions and Performances, 902-927. New York, NY: Schirmer Books, 1981.Source: Chapter in Book
II. Reference Materials
D. Discographies
D. Discographies
Cowell, Henry
Year: 1932
Complete Citation:
Cowell, Henry. “Charles E. Ives.” Disques, November 1932, 374-376.Source: Magazine
Reprints:
Cowell, Henry. "Charles E. Ives.” In <i>Charles Ives and His World</i>, 368-372. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
II. Reference Materials
D. Discographies
D. Discographies
Denahan, Donal
Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.Notes:
“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”
Source: Newspaper
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Dwinell, Paul
Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles Edward Ives.” Listen 5 (Sep-tember-October 1964): 15-16.Source: Journal
II. Reference Materials
D. Discographies
D. Discographies
Glafcke, Patricia
Year: 2004
Complete Citation:
Glafcke, Patricia. “Auswahl—Diskographie.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 204-206. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
II. Reference Materials
D. Discographies
D. Discographies
Hall, David
Year: 1964
Complete Citation:
Hall, David. “Charles Ives: A Discography.” In three parts. HiFi/Stereo Review 13/4, October 1964, 142-45; 13/5, November 1964, 102-106; 13/6, December 1964, 92-96.Source: Magazine
II. Reference Materials
D. Discographies
D. Discographies
Heister, Hanns-Werner
Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Henahan, Donal
Year: 1988
Complete Citation:
Henahan, Donal. “Did Ives Fiddle With the Truth?”- The New York Times, February 21, 1988.Source: Newspaper
VI. Topical Studies
C. Chronology
C. Chronology
Henck, Herbert
Year: 1983
Complete Citation:
Henck, Herbert. “Literatur zu Charles Ives. 129 Neuaufnahmen.” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.Source: Chapter in Book
II. Reference Materials
D. Discographies
D. Discographies
Isham, Howard
Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Kolter, Horst
Year: 1972
Complete Citation:
Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Lyons, James
Year: 1954
Complete Citation:
Lyons, James. “A Prophet Passes.” American Record Guide 20/10, June 1954, 312, 313-15, 343.Source: Magazine
II. Reference Materials
D. Discographies
D. Discographies
MacDonald, Calum
Year: 1996
Complete Citation:
MacDonald, Calum. “Memos and Premonitions and Chronology.” The Unanswered Question Festival; January 19 to 21: London.Source: Festival Lecture
VI. Topical Studies
C. Chronology
C. Chronology
Masse, Thomas Gilmore
Year: 1997
Complete Citation:
Masse, Thomas Gilmore. “Revisions, Chronology and Redating of the Largo of Charles Ives.” Clarinet 24/3 (1997): 36--41.Notes:
Regarding the Largo for violin, clarinet, and piano.
Source: Journal
VI. Topical Studies
C. Chronology
C. Chronology