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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
(-) VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Gann, Kyle

Year: 2017
Complete Citation:
Gann, Kyle. Charles Ives’s Concord Essays after a Sonata. Music in American Life Series. Champaign, IL: University of Illinois Press, 2017.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Gardner, Kara Anne

Year: 2004
Complete Citation:
Gardner, Kara Anne. “Antimodernism, ‘The Celestial Railroad,’ and ‘The Comedy’ of Charles Ives.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.
Source: Conference
IV. Individual Studies by Genre
C. Keyboard Works

Ghandar, Ann

Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organization in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.
Notes:

Part I, “The Allegation of Chaos,” presents several appraisals of Ives and his work, including “A Meterological Chart of the Climate of Opinion” about Ives. Part II, “Emerson,” contains an analysis of the first move-ment of Sonata No. 2, “Concord, Mass., 1840-1860” for piano.

Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Ghander, Ann. “Charles Ives: Organisation in Emerson.” Musicology: The Journal of the Musicological Society of Australia 6 (1980): 111-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Ghandar, Ann. “Charles Ives: Organisation in EMERSON.” Musicology VI (1980): 111-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Giebisch, Thomas

Year: 2004
Complete Citation:
Giebisch, Thomas. “‘Take-Off’ als Kompositionsprinzip: Alltags- erfahrungen als Ausgangspunkt einer musikalischen Realisation.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 73-84. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Gilday, Edward F.

Year: 1962
Complete Citation:
Gilday, Edward F. “The Greatest Man.” Keyboard Jr. 20/7 (April 1962): 2, 4.
Notes:

A description of the song The Greatest Man to accompany the article. Included a recording.

Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Gillespie, John

Year: 1965
Complete Citation:
Gillespie, John. Five Centuries of Keyboard Music: An Historical Sur-vey of Music for Harpsichord and Piano. Belmont, CA: Wadsworth, 1965.
Notes:

One paragraph about Sonata No. 1; almost a page about Sonata No. 2, “Concord, Mass., 1840--1860,” for piano, that “is the best example of [Ives's] fully ripened style.”

Source: Sheet Music
IV. Individual Studies by Genre
C. Keyboard Works

Glanville-Hicks, Peggy

Year: 1973
Complete Citation:
Glanville-Hicks, Peggy. “Ives, Charles.” In Grove’s Dictionary of Music and Musicians, vol. 4, 560. 5th ed. New York, NY: St. Martin’s Press, 1973.
Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries

Goldman, Richard

Year: 1974
Complete Citation:
Goldman, Richard. “American Music: 1918-1960.” In New Oxford History of Music, Vol. 10, 574-583. London, United Kingdom: Oxford University Press, 1974.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Gollin, Rita K.

Year: 2006
Complete Citation:
Gollin, Rita K. “Charles Ives's Hawthorne.” Nathaniel Hawthorne Review, vol. 32, no. 2 (2006): 23-36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Goodman, John

Year: 1968
Complete Citation:
Goodman, John. “An Urbanized Thoreau.” The New Leader (September 23, 1968: 23-24.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Gorlinski, Gini

Year: 2010
Complete Citation:
Gorlinski, Gini. “Charles Ives.” In The 100 most influential musicians of all time. New York, NY: Britannica Educational Publishing, 2010.
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Goudie, Andrea

Year: 1972
Complete Citation:
Goudie, Andrea. “Exploring the Broad Margins: Charles Ives’s Interpretation of Thoreau.” The Midwest Quarterly 13 (1972): 309-317.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Grannis, Lewis C.

Year: 1935
Complete Citation:
Grannis, Lewis C. Connecticut Composers, 53-57. New Haven, CT: State Federation of Music Clubs, 1935.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Griffiths, Paul

Year: 1978
Complete Citation:
Griffiths, Paul. A Concise History of Avant-Garde Music. New York, NY: Thames and Hudson, 1978.
Source: Book
Reprints:

Griffiths, Paul. <i>Modern Music: A Concise History from Debussy to Boulez</i>. New York, NY: Oxford University Press, 1985. Griffiths, Paul. <i>Modern Music and After</i>. Revised edition. Oxford: Oxford Uni-versity Press, 1995.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1994
Complete Citation:
Griffiths, Paul. Modern music: a concise history. London, United Kingdom: Thames and Hudson, 1994.
Source: Book
VII. Entries in Larger Volumes
D. Other

Grout, Donald Jay

Year: 1960
Complete Citation:
Grout, Donald Jay. A History of Western Music. New York, New York: W.W. Norton & Co., 1960.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Hamm, Charles

Year: 1983
Complete Citation:
Hamm, Charles. “The Search for a National Identity.” In Music in the New World, 424-437. New York, NY: W.W. Norton, 1983.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Hansen, Peter S.

Year: 1961
Complete Citation:
Hansen, Peter S. “Music in the United States.” In An Introduction to 20th Century Music, 77-84. Boston, MA: Allyn and Bacon, 1961.
Source: Book
Reprints:

Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 2nd ed. Boston, MA: Allyn and Bacon, 1961. * Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 3rd ed. Boston, MA: Allyn and Bacon, 1967. * Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 86-96. 4th ed. Boston, MA: Allyn and Bacon, 1961.

VII. Entries in Larger Volumes
A. Textbook Accounts