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Bibliography

Schönlau, Stephan

Year: 2012
Complete Citation:
Schönlau, Stephan. Kompositionstechnik in den Studies für Klavier von Charles Ives. Hamburg, Germany: Diplomica Verlag, 2012.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Schubert, Giselher

Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonata von Charles Ives. Anmerkungen zur Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation. Sara Savoff zum 70. Geburtstag, Festschrift edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Verlag der Musikalienhandlung Karl Dieter Wagner, 1980.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonate von Charles Ives. Anmerkungen zu Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation, Festschrift S. Saroff zum 80. Geburtstag, edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Karl Kieter Wagner, 1980.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Schubert, Giselher. “Le sonate Concord de Charles Ives.” Translated to French by Carlo Russi. Contrechamps 7 (1986): 110-128.
Source: Journal<br>
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giselher. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123 (2004): 51-72.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giseller. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 51-71.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Schulz, Dieter

Year: 2004
Complete Citation:
Schulz, Dieter. “Concord und der amerikanische Transzendentalismus in Ives Ästhetik.” Muzik-Konzepte 123 (2004): 109-121.
Source: Journal
VI. Topical Studies
C. Keyboard Works

Schulz, Reinhard

Year: 2001
Complete Citation:
Schulz, Reinhard. Kulturpartisanen im Land von Freedom and Democracy: Osterfestival in Innsbruck mit dem Motto “Das bessere Amerika.” Neue Musikzeitung, Vol. 50, No. 5 (2001): 39.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Shackelford, Rudy

Year: 1978
Complete Citation:
Shackelford, Rudy. “The Yaddo Festivals of American Music, 1932-1952.” Perspectives of New Music, vol. 17, no. 1 (1978): 92-125.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Sherman, Robert

Year: 1974
Complete Citation:
Sherman, Robert. “For Ives, a Lovely Sound in Brooklyn.” The New York Times.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1974
Complete Citation:
Sherman, Robert. “Music: For Ives, Deft 114-Song Salute.” The New York Times, November 19, 1974, 52.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1984
Complete Citation:
Sherman, Robert. “Music Fair to Open Site of Ives Center.” The New York Times, September 23, 1984, sec. 11, CN, 19.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1987
Complete Citation:
Sherman, Robert. “Music; Ives Series a La Danbury and Canterbury School.” The New York Times, August 16, 1987.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series
Year: 1996
Complete Citation:
Sherman, Robert. “Charles Ives in Bard Spotlight.” The New York Times, August 4, 1996.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives

Sherwood, Gayle

Year: 2005
Complete Citation:
Sherwood, Gayle, chair. “Charles Ives [Panel].” Panel at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Siepmann, Jeremy

Year: 2011
Complete Citation:
Siepmann, Jeremy. “Symposium: Piano Americana.” International Piano, (2011): 39-42.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Simon, Robert A.

Year: 1946
Complete Citation:
Simon, Robert A. “Uptown.” New Yorker 22/14 (May 18, 1946): 96--98.
Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Slonimsky, Nicolas

Year: 1986
Complete Citation:
Slonimsky, Nicolas. “My Adventures in American Music.” Keyboard Classics 6/4 (July-August 1986): 8-10.
Notes:

Mostly reminiscences of perfor-mances of Orchestral Set No. 1: Three Places in New England.

Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Snyder, Louis

Year: 1974
Complete Citation:
Snyder, Louis. “Composer Ives: U.S. Remembers a Yankee.” The Christian Science Monitor, November 22, 1974, 5A.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary

Steinberg, Michael

Year: 1974
Complete Citation:
Steinberg, Michael. “Mystery of Charles Ives: The Tycoon as Composer.” Boston Globe, October 20, 1974, A86.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary