Image
Complete Citation:
Schonberg, Harold C. “Ives and Ruggles.” The New York Times. March 3, 1962: 16.
Bibliography
Genres
Schonberg, Harold C.
Year: 1962
Notes:
A review of recital that included ten Ives songs plus an unspecified encore (1962 March 2: New York; Museum of Modern Art; Composers Showcase; Helen Boatwright, soprano; William Dale, piano).
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1974
Complete Citation:
Schonberg, Harold C. “Natural American, Natural Rebel, Natural Avant- Gardist.” New York Times Magazine, April 21, 1974, 12-14, 71-73, 78, 82-83.Source: Newspaper
VI. Topical Studies
L. Ives and America
L. Ives and America
Schönlau, Stephan
Year: 2012
Complete Citation:
Schönlau, Stephan. Kompositionstechnik in den Studies für Klavier von Charles Ives. Hamburg, Germany: Diplomica Verlag, 2012.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Schorske, Carl
Year: 1985
Complete Citation:
Schorske, Carl. “Mahler ey Ives: Archaïsme Populiste et Innovation Musicale.” In Gustav Mahler: Un Homme, une Oeuvre, une époque: Musée D'art Moderne de la Ville de Paris, 87-97. Paris, France: Bibliothèque Nati-onal, 1985.Source: Exhibition booklet
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schrade, Leo
Year: 1955
Complete Citation:
Schrade, Leo. “Ives: Phenomenon of Modern Music.” The Trumbull Lecture, New Haven; Yale University, January 17, 1955.Source: Lecture
Reprints:
Schrade, Leo. “Charles E. Ives: 1874-1954.” <i>Yale Review</i> 44/4 (June 1955): 535-545.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Schubert, Giselher
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonate von Charles Ives. Anmerkungen zu Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation, Festschrift S. Saroff zum 80. Geburtstag, edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Karl Kieter Wagner, 1980.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonata von Charles Ives. Anmerkungen zur Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation. Sara Savoff zum 70. Geburtstag, Festschrift edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Verlag der Musikalienhandlung Karl Dieter Wagner, 1980.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1982
Complete Citation:
Schubert, Giselher. “Über einen amerikanischen Komponisten.” In Grenzgänge. Programmbuch der “Frankurter Feste” 1982. Frankfurt, Germany: 1982.Source: Program Book for Festival
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1986
Complete Citation:
Schubert, Giselher. “Le sonate Concord de Charles Ives.” Translated to French by Carlo Russi. Contrechamps 7 (1986): 110-128.Source: Journal<br>
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giseller. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 51-71.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giselher. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123 (2004): 51-72.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Schuller, Gunther
Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.Notes:
Discusses absolute music and program music.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Schulz, Dieter
Year: 2004
Complete Citation:
Schulz, Dieter. “Concord und der amerikanische Transzendentalismus in Ives Ästhetik.” Muzik-Konzepte 123 (2004): 109-121.Source: Journal
VI. Topical Studies
C. Keyboard Works
C. Keyboard Works
Schuman, William
Year: 1940-1941
Complete Citation:
Schuman, William. “A Brief Study of Music Organizations Founded in the Interest of the Living Composer.” Twice a Year (Fall-Winter 1940 and Spring-Summer 1941) 5-6: 361--367.Notes:
A brief but worthwhile sur-vey, especially of “The League of Composers” (365): “The Arrow Music Press is a cooperative venture. The composer pays all, or a portion of, the expense of publishing his compositions and in return receives all but a small fraction of the return. A very interesting catalogue has al-ready been issued by the press, which appears to be increasing its acti-vities.” With the Arrow Press imprint and its subsidiary Cos Cob Press, the following works of Ives were published: Sonata [No. 4] for violin and piano; Serenity; Sixty--Seventh Psalm; Charlie Rutlage; Evening; The Greatest Man', Walking; Seven Songs’, Third Symphony (“The Camp Meeting”) [CI 87); Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; and Where the Eagle (in the Cos Cob Song Volume). The Cos Cob Press was later absorbed by the Arrow Music Press that in turn was merged into Associated Music Publishers. Ives and Walter Piston had the most titles in this catalogue. The article re-prints “Prologue” from Essays Before a Sonata.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
U. Institutions and Ives’ Legacy
Schwartz, Elliott
Year: 1975
Complete Citation:
Schwartz, Elliott. “Directions in American Composition Since the Second World War: Part I—1945-1960.” Music Educator’s Journal 61/6 (February 1975): 29-39.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schwarz, Boris
Year: 1975
Complete Citation:
Schwarz, Boris. “Schoenberg—und Ives—Tagunen in den USA.” Österreichische Musikzeitschrift 30 (January-February 1975): 67-68.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schwarz, K. Robert
Year: 1993
Complete Citation:
Schwarz, K. Robert. “Composers’ Closets Open for All to See.” The New York Times, June 19, 1993, sec. 2, 1.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schwimmer, Helmut
Year: 1961
Complete Citation:
Schwimmer, Helmut. “George Ives und sein Sohn Charles.” Neue Musik: Kunst- und gesellschaftskritische Beitrage 4 (1961): 3-6.Source: Journal
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Scott, Ann Besser
Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Searle, Humphrey
Year: 1939
Complete Citation:
Searle, Humphrey. “Growing Pains in England.” Modern Music 16/4 (May--June 1939): 220-224.Notes:
Quotation from article: “One would like to hear more of Americans. A concert given by the BBC last winter included works by Whithorne, Carpenter, and Fuleihan, but what about Copland, Piston, Sessions, Ives, Harris? Their music is hardly ever played here.”
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship