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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Crory, Neil

Year: 2005
Complete Citation:
Crory, Neil. “A Song - for Anything: Songs by Charles Ives.” Opera Canada, vol. 46, no. 4 (2005): 51.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2008
Complete Citation:
Crory, Neil. “Opera at Home: CDs: Charles Ives: “Romanzo Di Central Park.”” Opera Canada 49, no. 1 (2008): 49-50.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Crump, Peter

Year: 1965
Complete Citation:
Crump, Peter. “Ives, Then and Now: A Note on Originality and the Establishment.” Composer: The Journal of the Composers' Guild of Great Britain (October 1965) 17: 12-13.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Crunden, Robert M.

Year: 1972
Complete Citation:
Crunden, Robert M. “From Self to Society, 1919-1941.” In Transitions in American Thought Series. Englewood Cliffs, NJ: Prentice-Hall, 1972.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1994
Complete Citation:
Crunden, Robert M. A brief history of American culture. New York, NY: Paragon House, 1994.
Source: Book
VI. Topical Studies
L. Ives and America

Crunden, Robert Morse

Year: 1982
Complete Citation:
Crunden, Robert Morse. Ministers of Reform: The Progressives’ Achieve-ment in American Civilization, 1889-1920. New York, NY: Basic Books, 1982.
Source: Book
Reprints:

Crunden, Robert Morse. <i>Ministers of Reform: The Progressives’ Achieve-ment in American Civilization, 1889-1920</i>. Urbana, Illinois: University of Illi-nois Press, 1984.

VI. Topical Studies
A. Transcendentalism or Philosophy

Crutchfield, Will

Year: 1984
Complete Citation:
Crutchfield, Will. “American Symphony And the Ives Fourth.” The New York Times. October 15, 1984, sec. C, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Curtis, William D.

Complete Citation:
Curtis, William D. “Symphony No. 4; Central Park in the Dark, conducted by Selji Ozawa.” The American Record Guide 40/1 (October 1977): 32-34.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Dahlhaus, Carl

Year: 1970-1971
Complete Citation:
Dahlhaus, Carl. “Aussenseiter der Neuen Musik: Charles Ives und Edgard Varese.” In "Bericht über den internationalen Kongreß" Bonn 1970, edited by Carl Dahlhaus, 299. Kassel, Germany: Bärenreiter Verlag, 1971.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Daniel, Oliver

Year: 1953
Complete Citation:
Daniel, Oliver. “New Recordings.” American Composers Alliance Bulletin 3, no. 1 (1953): 17.
Source: Bulletin
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Daniel, Oliver. “Lou Harrison.” BMI: The Many Worlds of Music (Jan-uary 1967): 10.
Notes:

Numerous Ives references; mentions the premiere of Sym-phony No. 3 (1956 April 5) and Harrison’s orchestral tribute on Ives's death, “At the Tomb of Charles Ives.”

Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1968
Complete Citation:
Daniel, Oliver. “Ives Is A Four-Letter Word.” The Saturday Review 51, no. 21 (May 25, 1968): 59.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1974
Complete Citation:
Daniel, Oliver. “Henry Cowell.” Stereo Review (December 1974).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Daniel, Oliver. The Charles Ives Centennial: A personal memoir by Oliver Daniel. BMI: The Many Worlds of Music 3 (1974): 32-35.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1982
Complete Citation:
Daniel, Oliver. Stokowski: A Counterpoint of View. New York, NY: Dodd, Mead, and Company, 1982.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Danler, K. R.

Year: 1985
Complete Citation:
Danler, K.R. “Zwei deutsche Erstaufführungen Eleazar de Carvalho dirigierte die MUSICA VIVA.” Das Orchester 33 (February 1985): 127.
Notes:

Discusses Symphony No. 4.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Danner, Gregory

Year: 1984
Complete Citation:
Danner, Gregory “Ives’ Harmonic Language.” Journal of Musicological Research 5/1-2 (1984): 237-249.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Danuser, Hermann

Year: 1987
Complete Citation:
Danuser, Hermann. “Auf der Suche nach einer nationalen Musikasthetik.” In Amenkanische Musik seit Charles Ives: Interpretation, Quellentexte Komponistenmonographien, 51-59. Lilienthal, Germany: Laaber-Verlag, 1987.
Source: Book
VI. Topical Studies
L. Ives and America
Year: 1993
Complete Citation:
Danuser, Hermann. Gegen-Traditionen der Avantgarde. In Amerikanische Musik seit Charles Ives, 101-112. Lilienthal, Germany: Laaber-Verlag, 1993.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1997
Complete Citation:
Danuser, Hermann. “On postmodernism in music.” International postmodernism: theory and literary practice (February 1997): 157-166.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles