Image
Complete Citation:
Deborah Anderson, choreographer and dancer. Waiting (1986); Dance Theater Workshop. Music: Largo from Pre--First Violin Sonata.Prf: 1986 August 15: New York; Studios, Bessie Schönberg Theater.
Bibliography
Genres
Anderson, Deborah, choreographer and dancer
Year: 1986
Prf: 1986 August 15: New York; Studios, Bessie Schönberg Theater.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Anderson, Jack
Year: 1985
Complete Citation:
Anderson, Jack. “City Ballet: ‘Poulenc Sonata’ and ‘Calcium Light Night’: Review.” The New York Times, 1985.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 1989
Complete Citation:
Anderson, Jack. “Small-Town America.” The New York Times, February 14, 1989, sec. C, 16.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 1993
Complete Citation:
Anderson, Jack. “A Dutch Tribute to Ives’s Life and Music.” The New York Times, October 14, 1993, sec. C, 18.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 1999
Complete Citation:
Anderson, Jack. “Balanchine and Ives: Marriage of Mysteries.” The New York Times, June 15, 1999, sec. E, 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Anderson, Martin
Year: 2003
Complete Citation:
Anderson, Martin. “Obituary: Lou Harrison; Unconventional Composer Whose Music Fused East and West: FOREIGN Edition.” The Independent, February 5, 2003.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues
Balanchine, George, and Francis Mason
Year: 1977
Complete Citation:
Balanchine, George, and Francis Mason. “Ivesiana.” In Balanchine’s Com-plete Stories of the Great Ballets. 2nd ed. Garden City, NY: Doubleday, 1977.Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Balanchine, George (choreographer)
Year: 1954
Complete Citation:
George Balanchine, choreographer. Ivesiana (1954); ballet; New York City Ballet Company. [Homage to Ives in the year of his death.]Source: *Ballet
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Barnes, Clive
Year: 1966
Complete Citation:
Barnes, Clive. “Dance: Ives sans Currier.” The New York Times, December 5, 1966, 65.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Baron, Carol K.
Year: 1991
Complete Citation:
Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Barron, James
Year: 1991
Complete Citation:
Barron, James. “John Kirkpatrick is Dead at 86; A Pianist Who Popularized Ives.” The New York Times, November 11, 1991, B10.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues
Beck, Jill
Year: 1985
Complete Citation:
Beck, Jill. “Principles and Techniques of Choreography: A Study of Five Choreographies from 1983.” Ph.D. diss., City University of New York, 1985.Source: Ph.D. Dissertation
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Becker, Dr. John H.
Year: 1933
Complete Citation:
Becker, John H. “Charles E. Ives: Musical Philosopher.” Northwest Musical Herald (January 1933): 5-6.Notes:
Available at the Yale University Music Library Archival Collection. “Charles Ives Papers” Mss. 14/41; 14/56/2; 41/112.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Bellamann, Henry
Year: 1927
Complete Citation:
Bellamann, Henry. “The Music of Charles Ives.” Pro Musica Quarterly 5, No. 1 (March-April 1927): 16-22.Source: Journal
VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues
Year: 1932
Complete Citation:
Bellamann, Henry. “An American Composer.” State (Columbia, SC), May 22, 1932, 23.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues
Berger, Arthur
Year: 2002
Complete Citation:
Berger, Arthur. Reflections of an American Composer. Berkeley, CA: Uni-versity of California Press, 2002.Notes:
Berger re-evaluates some of his earlier critiques of Ives's music (i.e., his published reviews).
Source: Book
VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues
Blanding, Thomas
Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Blankert, Beppie, choreographer
Year: 1993
Complete Citation:
Beppie Blankert, choreographer. Charles Ives Trilogy (1993); ballet. Based on the life of Charles Ives. Volume 1. “Charles." Music: songs, piano works, and violin sonatas. Volume 2. "Ives."Music: large ensemble music. For 13 musicians; Rutger van Leyden, director. Volume 3. “Dance Concert.” Music: Holidays Symphony; Serenity.Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Bloom, Harold
Complete Citation:
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975: 162.Notes:
Only one reference to Ives: "The war of American poets against influence is part of our Emersonian heritage, manifested first in the great triad of 'The Divinity School Address,' 'The American Schol-ar,' and ‘Self--Reliance.' This heritage can be traced in Thoreau, Whit-man, Dickinson and quite directly again in Robinson and Frost, in the architectural writings of Sullivan and Wright, in the Essays Before a Sonata of Charles Ives. The less direct heritage is more relevant to any brooding on the negative aspects of poetic influence, centering partly on Pound and Williams (where it is refracted through Whitman) and partly on Stevens, who disliked the very idea of influence."
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Bohlman, Philip V.
Year: 2005
Complete Citation:
Bohlman, Philip V. “Introduction.” In Music in American Religious Experience, edited by Bohlman, Philip V., Edith L. Blumhofer, and Maria M. Chow. Oxford, United Kingdom: Oxford University Press, 2005.Source: Newsletter
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy