VI. Topical Studies

Sofonea, Traian. “Charles Ives: un grande compositore americano che operò con slancio messianico in compo assicurativo.” Generali VI (1978): 35-36.

“In Tribute to Charles Edward Ives on the 100th anniversary of his birth.” Current Musicology No. 18, 1974: 69-119.

Mehring, Frank. “Sphere melodies: die Manifestation transzendentalistischen Gedankenguts in der Musik der Avantgardisten Charles Ives und John Cage.” Series: M & P Schriftenreihe für Wissenschaft und Forschung. Stuttgart, Germany: Metzler, 2003.

Kostelanetz, Richard. American imaginations: Charles Ives, Gertrude Stein, John Cage, Merce Cunningham, Robert Wilson. Series-Internationaler Merve-Diskurs, 111. Berlin, Germany: Merve-Verlag, 1983.

Hertz, David Michael. Angels of reality: Emersonian unfoldings in Wright, Stevens, and Ives. Carbondale, IL: Southern Illinois University Press,1993.

Eidland, Dan and Bodil Eidland-Cederbom. Marja, Walt Whitman, Charles Ives, Theodore Roosevelt and I. Alingsås, Sweden: Mitthans, 2005.

Serebrier, José. “Jose Serebrier on Ives.” In Conductors on Conducting. Frenchtown, NJ: Columbia Publishing Company, 1979.

Clarke, Gary E. “Charles Edward Ives.” In Essays on American Music. Westport, CT: Greenwood Press, 1977.

Howard, John Tasker and George Kent Bellows. “Experimental Composers: Charles Edward Ives; John Cage.” In A short history of music in America.

Glahn, Denise Von. “The sounds of place: music and the American cultural landscape.” In The Sounds of Place: Music and the American Cultural Landscape. Boston, MA: Northeastern University Press, 2003.