VI. Topical Studies

Serio, John N. “The ultimate music is abstract: Charles Ives and Wallace Stevens.” Lewisburg, PA: Bucknell University Press, 1979.

McCalla, James. “Before World War I: Ravel, Schoenberg, Webern, Stravinsky, and Ives.” In Twentieth-Century Chamber Music. New York, NY: Routledge, 2003.

Carter, Elliott. “Charles Ives Remembered.” In Elliott Carter: collected essays and lectures, 1937-1995, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.

Garrett, Charles Hiroshi. “Charles Ives's Four Ragtime Dances and "True American Music.”” In American music and the twentieth century. CA: University of California Press: John Wiley and Sons Ltd., 2008.

Lucier, Alvin. “Music 109: notes on experimental music.” Middletown, Connecticut: Wesleyan University Press, 2012.

Slominsky, Nicolas. “Charles Ives.” In Perfect Pitch, edited by Richard Kostelanetz. New York: Schirmer Books, 1994.

Martin, William R. and Julius Drossin. Charles Ives, Edgard Varèse and Elliott Carter. Englewood Cliffs, NJ: Prentice-Hall, 1980.

Downes, Olin. “The tardy recognition of Charles Ives.” In Olin Downes on music: a selection from his writings during the half-century 1906 to 1955, edited by Irene Downes. New York, NY: Simon and Schuster, 1957.

Rossi, Nick and Sadie Rafferty. “Music of the United States.” In Music through the centuries. University Press of America: Washington, D.C. 1981.

Tippett, Michael and Meirion Bowen. “Charles Ives.” In Tippett on Music. Oxford, United Kingdom: Clarendon Press, 1995.