VI. Topical Studies

Shultis, Christopher. Silencing the sounded self: John Cage and the American experimental tradition. Lebanon, NH: University Press of New England, 2013.

Feder, Stuart. “Homesick in America: The Nostalgia of Antonín Dvořák and Charles Ives.” In Dvořák in America, 1892-1895. Portland, OR: Amadeus Press, 1993.

Ronda, Bruce A. “Charles Ives: Sound.” In The Fate of Transcendentalism: Secularity, Materiality, and Human Flourishing. Athens, GA: The University of Georgia Press, 2017.

Garland, Peter, ed. “Soundings: Ives, Ruggles, Varèse.” Soundings Magazine, January 1, 1974.

Kramer, Lawrence. ““A Completely New Set of Objects”: The Spirit of Place in Wallace Stevens and Charles Ives.” The Wallace Stevens Journal
Vol. 2, No. 3/4 (Fall 1978): 3-15.

Bonighton, Ian and Richard Middleton. Ives and Varèse. London, United Kingdom: Open University Press, 1979.

Boatwright, Howard. “Charles Ives' Quotations: Manner or Substance?.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 13-24. New York, NY: W.W. Norton, 1971.

Horowitz, Joseph. “Charles Ives: Gentility and Rebellion.” In Moral Fire: Musical Portraits from America's Fin de Siècle. Berkeley: University of California Press, 2012.

Grunfeld, Frederic. “Charles Ives: Yankee Rebel.” High Fidelity 4, no. 9 (November 1954): 34-36, 103, 105, 107-108.

Burkholder, J. Peter. All Made of Tunes. New Haven, CT: Yale University Press, 1995.