VI. Topical Studies

Dickinson, Peter. “A New Perspective for Ives.” The Musical Times 115 (September 1974): 836-8-38.

Nattiez, Jean-Jacques. 1990. “Can One Speak of Narrativity in Music?” Translated by Katharine Ellis. Journal of the Royal Musical Association 115/2 (1990): 240--257.

Meelberg, Vincent. 2006. New Sounds, New Stories: Narrativity in Contemporary Music. Amsterdam, Netherlands: Leiden University Press, 2006.

Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.

Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.

Gingerich, Lora Louise. “A Technique of Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.

Tick, Judith. 1993. “Charles Ives and Gender Ideology.” In Musicology and Difference: Gender and Sexuality in Music Scholarship, edited by Ruth Solie, 125--147. Berkeley, CA: University of California Press.

Semler, Isabella Parker. Horatio Parker: A Memoir for His Grandchildren. New York, NY: G.P. Putnam & Sons.

Ross, Alex. “Pandemonium: Charles Ives.” The Rest is Noise. May 31, 2004.

Noss, Luther. A History of the Yale School of Music, 1855--1970. New Haven, CT: Yale School of Music, 1984.