VI. Topical Studies

Tick, Judith. “Charles Ives and the Politics of Direct Democracy.” In Ives Studies, edited by Philip Lambert, 133-162. Cambridge, UK: Cambridge University Press, 1997.

Taruskin, Richard. “Corralling a Herd of Musical Mavericks.” The New York Times, July 23, 2000.

Stevenson, Robert. “American Musical Scholarship: Parker to Thayer.” 19th- Century Music 1, no.3 (March 1978): 191--210.

Slonimsky, Nicolas. “Sur la musique Americaine.” In L'Oeuvre du XXe siecle, 29. Paris, France: Congress for Cultural Freedom, 1952.

Sherwood, Gayle. “Ives and Neurasthenia: A Response to Stuart Feder.” Journal of the American Musicological Society 54, no.3 (Fall 2001): 641-643.

Pollack, Howard. Aaron Copland: The Life and Work of an Uncommon Man. New York, NY: Henry Holt and Co., 1999.

Paul, David C. 2006. “From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell.” Journal of the American Musicological Society 59, no. 2 (Summer 2006): 399--458.

Page, Tim. “Judging Composers: High Notes, and Low.” The New York Times, March 22, 1987.

Miller, Leta E., and Rob Collins. 2005. “The Cowell--Ives Relationship: A New Look at Cowell's Prison Years.” American Music 23, no. 4 (Winter 2005): 473-492.

Metzer, David. 2003. “Childhood and Nostalgia in the Works of Charles Ives.” In Quota-tion and Cultural Meaning in Twentieth -Century Music, 15--46. Cambridge, UK: Cambridge University Press, 2003.