VI. Topical Studies

Levy, Alan Howard. Musical Nationalism: American Composers’ Search for Identity. Westport, CT: Greenwood Press, 1983.

Crawford, Richard. “To Stretch Our Ears: The Music of Charles Ives.” In America’s Musical Life: A History, 495-523. New York, NY: W.W. Norton, 2001.

Schoffman, Nachum. From Chords to Simultaneities: Chordal Indetermi-nacy and the Failure of Serialism, 51-52, 57, 61-62 and 64. Contributions to the Study of Music and Dance, No. 17. Westport, CT: Greenwood Press, 1990.

Offergeld, Robert. “More on the Gottschalk-Ives connection.” Institute for Studies in American Music Newsletter 15/2 (May 1986): 1-2, 13.

Hitchcock, H. Wiley. “Ivesiana. The Gottschalk Connection.” Institute for Studies in American Music Newsletter 15/1 (November 1985): 5.

Engel, Lehman. This Bright Day. New York, New York: The Macmillan Company, 1974.

Toncitch, Voya. “Dodecaphonie et systemes de 24 et 31 tons.” Schweitzerische Musikzeitung Revue musicale suisse 113/5 (September-October 1973): 274-278.

Newman, Ron. “Ragtime Influences in the Music of Charles Ives.” Jazz Research Papers 5 (1985): 145-156.

Birkby, Arthur. “Ives, the Organist.” Clavier 13/7 (1974): 29-30.

Goss, Glenda Dawn. Music and the Moderns: The Life and Works of Carol Robinson. Metuchen, NJ: Scarecrow Press, 1993.