VI. Topical Studies

Shultis, Christopher. Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition, 3-4. 14-28, and passim.. Boston, MA: Northeastern University Press, 1998.

Shirley, Wayne. “Ives as an Innovator.” In South Florida's Historic Ives Festival, 1974-1976, 50-52. Coral Gables, FL: University of Miami, 1976.

Schwarz, K. Robert. “Composers’ Closets Open for All to See.” The New York Times, June 19, 1993, sec. 2, 1.

Schonberg, Harold C. “America’s Greatest Composer: The Defiant Life of the Brilliant, Eccentric Charles Ives.” Esquire 50/6 (December 1958): 229-235.

Schonberg, Harold C. “Stubborn Yankee: Ives Iconoclasm and His Individuality Are Always American in Accent.” The New York Times, March 5, 1961, sec. 2, 9.

Schonberg, Harold C. “Natural American, Natural Rebel, Natural Avant- Gardist.” New York Times Magazine, April 21, 1974, 12-14, 71-73, 78, 82-83.

Schafer, William J. “Introducing Charles Ives: A Multi-Media Experience.” Student Musicologists at Minnesota 6 (1975-76): 5-15.

Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.

Rothstein, Edward. “Ives Country.” The New York Times, August 22, 1980, sec. C, 8.

Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” New Republic 71 (20 July 1932): 262-64.