VI. Topical Studies

Brady, Tim. “Death of the Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.

Battisti, Frank. “The Legacy of Charles Ives.” Instrumentalist 52/7 (Febru-ary 1998): 68-74.

Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.

Weisberger, Bernard A. They Gathered at the River: The Story of the Great Revivalists and Their Impact Upon Religion in America, 19. Boston, MA: Little, Brown and Co., 1958.

“Yankee Music.” Times LVII/X. March 5, 1951: 72-74.

Stoddard, Hope. “Music in Connecticut.” International Musician (March 1951).

Nicolas Slonimsky. “Charles Ives—America’s Musical Prophet.” Musical America 74/4 (February 15, 1954): 18-19.

Schonberg, Harold C. “America’s Great Composer.” Esquire (December 1958).

Rosenfeld, Paul. “The Advent of American Music.” Kenyon Review (Winter/Spring 1939).

Moor, Paul. “Two Titans.” Theatre Arts XXIV/ii (February 1950): 49-51, 94-95.