Notimex 2010
“Continúan vigentes técnicas que incorporó Charles Ives a la música.” Notimex, October 19, 2010.
G. Music Theory Analyses
Notimex 2009
“Creó El Compositor Charles Ives Una Técnica Innovadora.” Notimex, October 19, 2009.
Mesquita, Marcos Musurgia 2015
Mesquita, Marcos. “Charles Ives and the Superposition Technique.” Musurgia, vol. XXII, no. 2 (2015): 71.
Iverson, Jennifer Music Theory Online 2011
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’ Collages.” Music Theory Online, Vol. 17 (2011).
Hwang, Mi Kyung The Organ 2010
Hwang, Mi Kyung. “Charles Ives’s Variations on “America”: A Musical Analysis Based upon Jazz Elements.” The Organ, Vol. 89 (2010): 26-35.
Kramer, Jonathan Donald Analisi 2001
Kramer, Jonathan Donald. “Concetti postmoderni di tempo musicale.” Analisi 12 (May 2001): 5-21.
Baron, Carol K. 1998
Baron, Carol K. “Some Theoretical Premises in Charles Ives's Music.” Lecture, University of Nevada, Reno, Nevada, February 1998.
Christiansen, Erik 1996
Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.
Sites, Michael 1993
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.