VIII. Dissertations, Theses, and Baccalaureate Essays

Easter, Stanley Eugene. “A Study Guide for the Performance of Twent-ieth Century Music from Selected Ballet Repertoires for Trombones and Tuba.” Ed.D. diss., Columbia University, 1969.

Boardman, Katherine R. “Ives in Performance: 1900-1950.” Term paper, Yale University, 1969.

Jarrett, Alfred Roosevelt. “‘New Music’ in the U.S.A., 1960--1966.” M.M. thesis, Howard University, 1967.

Wilson, Donald Malcolm. “Tone Roads No. 1: An Analysis.” Term paper, Cornell University, 1962.

Gaburo, Kenneth Louis. “Studies in Pitch Symmetry in Twentieth Cen-tury Music.” D.M.A. diss., University of Illinois, 1962.

Staebler, Roger Allen. “Charles Ives: An Evaluation of His Aesthetic Philosophy.” M.M. thesis, University of Cincinnati, 1959.

Service, Jr., Alfred Roy. “A Study of the Cadence as a Factor in Musical Intelligibility in Selected Piano Sonatas by American Composers.” Ph.D. diss., University of Iowa, 1958.

Wolf, Henry Samuel. “The Twentieth Century Piano Sonata.” Ph.D. diss., Boston University, 1957.

Borgman, George Allan. “Nationalism in Contemporary Music.” M.M. thesis, Indiana University, 1953.

Ausubel, Hillel. “The Effect of Chromaticism on Tonality: As Found in Selected Compositions from the Period between 1890 and 1910.” Ph.D. diss., Columbia University, 1953.