A. Dissertations

Chernov, Eric B. “Where the truer beauties lie: analytical issues in four unbarred songs by Charles Ives.” Ph.D. Dissertation, State University of New York at Buffalo, 2009.

Cornett-Murtada, Vanessa. “Quotation, revolution, and American culture: the use of folk tunes and the influence of Charles Ives in Frederic Rzewski's North American ballads for solo piano.” D.M.A. Thesis, University of North Carolina at Greensboro, 2004.

Burkholder, J. Peter. “The evolution of Charles Ives’s music: aesthetics, quotation, technique (Vol. 1).” Ph.D Dissertation, University of Chicago, 1983.

Glarner, Robert Lewis. “An investigation into the relationship of instrumental density and dynamics of the fourth symphony by Charles Ives.” Ph.D. Dissertation, University of Arizona, 1993.

Roeder, Matthew James. “Select ragtime music of Scott Joplin, Charles Ives, and Igor Stravinsky: a set of analyses.” D.M.A. Thesis, University of Colorado, 2005.

Kinne, William Joseph. “The wind band music of Charles Ives: an annotated repertoire list of original works and arrangements.” D.M.A. Thesis, University of Colorado, 2015.

Vastano, Robert Guy. “A biographical and theoretical analysis of the trumpet in selected chamber works of Charles Ives: an aid to performance.” D.M.A. Thesis, University of Texas at Austin, 2002.

Eiseman, David. “Charles Ives and the European tradition: a historical reappraisal.” Ph.D. diss., University of Illinois, 1972.

Schemanske, Joyce Anne. “The organ music of William Bolcom as it reflects the musical legacy of Charles Ives.” D. Mus. Thesis, Northwestern University, 1983.

Schwartz, David Thomas. “The integrity of structure or the structure of integrity: an analysis of Charles Ives' Hallowe'en; Concerto for piano and chamber ensemble.” Ph.D. Dissertation, University of California, Santa Barbara, 2004.