A. Dissertations

Call, William Anson. “A Study of the Transcendental Aesthetic Theories of John S. Dwight and Charles E. Ives and the Relationship of These Theories to Their Respective Work as Music Critic and Composer.” D.M.A. diss., University of Illinois, 1971.

Brooks, William. “Sources and Errata List for Charles Ives’ Symphony No. 4, Movement II.” D.M.A. diss., University of Illinois, 1976.

Badolato, James Vincent. “The Four Symphonies of Charles Ives: A Critical, Analytical Study of the Musical Style of Charles Ives.” Ph.D. diss., Catholic University, 1978.

Albert, Thomas Russell. “The Harmonic Language of Charles Ives’ Concord Sonata.” D.M.A. diss., University of Illinois, 1974.

Rossiter, Frank R. “Charles Ives and American Culture: The Process of Development, 1874-1921.” Ph.D. diss., Princeton University, 1970.

Wallach, Laurence. “The New England Education of Charles Ives.” Ph.D. diss., Columbia University, 1973.

Gingerich, Lora Louise. “Processes of Motivic Transformation in the Keyboard and Chamber Music of Charles Ives.” Ph.D. diss., Yale University, 1983.

Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique." PhD diss., University of Chicago, 1983.

Frantz, Donald Howe, Jr. “Search for Significant Form, 1905-1915: An Evaluation of the Symbols of Tradition and Revolt in American Literature, Painting, and Music.” Ph.D. diss., University of Southern California, 1960.