A. Dissertations

Muñiz, Jorge. “The Use of Quotation in the Music of John Corigliano.” D.M.A. diss., Manhattan School of Music, 2004.

Lo, Chau--Yee. “Endangered Species: The Harpsichord and Its New Repertoire since 1960.” Ph.D. diss., University of Leeds, 2004.

Young III, Harmon Griffith. “The Sacred Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.

Fouse, Kathryn Lea. “Surrealism in the Music of Representative Twen-tieth-Century Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1993.

Rycenga, Jennifer Joanne. “The Composer as a Religious Person in the Context of Pluralism.” Ph.D. diss., Graduate Theological Union, 1992.

Kelly, Kevin Oliver. "The Songs of Charles Ives and the Cultural Con-text of Death.” Ph.D. dissertation, University of North Carolina, Chapel Hill, 1988.

Froelich, Andrew I. “The Four Violin Sonatas by Charles Ives.” Ph.D. diss., Michigan State University, 1988.

Rathert, Wolfgang. “Studien zum Werk von Charles Ives.” Ph.D. dis-s., Freie Universität Berlin, 1987.

Nicholls, David Roy. “New and Experimental Compositional Tech- niques in American Music from Charles Ives to the Second World War.” Ph.D. diss., University of Cambridge, 1986.

Belland, Anna. “Piano Variations by Ives, Valen, Lutoslawski, Dallapiccola- A Discussion of Their Styles and Forms.” D. Mus. dissertation, Indiana University, 1981.