A. Dissertations

Bottemanne, Jean-Paul. “L’esprit musical de Charles Ives, 1874-1954: essai sur les specificites techniques et esthitiques de I'oeuvre de Charles Ives.” Doctoral thesis, University of Paris 8, 1995.

Bayne, Harry McBrayer. 1990. “A Critical Study of Henry Bellamann's Life and Work.” Ph.D. diss., University of Mississippi.

Adkins, Cecil, and Alis Dickinson. “Supplement (1974) to Doctoral Dissertations in Musicology.” Journal of the American Musicological Society 27, 110.3 (Fall): 475-514.

Gregg, Thomas Andrew. “Song Composers and Their Poetry Choices: An Analysis of the Literary Background and Textual Selections of Twelve Composers.” D.M.A. diss., Ohio State University, 1989.

Wilson, Lawrence. “Ragtime: Its Roots, Style, and Influence,” 90-92. D. Mus. dis-s., Indiana University, 1981.

Thomas, Phillip. “Music for One or More Alternately Tuned Acoustic Pianos, 1920-1993: Trends in Melody, Harmony, and Technique.” Ph.D. diss., University of Cincinnati, 1996.

McDonald, Charlene Harb. “Trends in Selected Piano Sonatas of the First Quarter of the 20th Century: Formal Processes and Pianism.” D.M.A. diss., Indiana University, 1978.

Evseeva, Marina. “Fortepiannaja sonata v tvorcestve kompozitorov SSA XX veka: Carl’z Ajvz, Aaron Koplend, Vinsent Persiketti.” Ph.D. diss., Gosudarstvennaja Konservatorija, Moscow, 1989.

Fouse, Kathryn Lea. “Surrealsim in the Piano Music of Representative 20th-century American Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1992.

Porter, Ellen Jane Lorenz. “A Treasure of Camp-Meeting Spirituals.” Ph.D. diss., Union Graduate School, Cincinnati, Ohio, 1978.