A. Dissertations

Jennert, Rüdiger. “Amerikanische Chormusik des 20. Jahrhunderts: stilische Untersuchungen zu sakralen Chorwerken von Aaron Copland, Charles Edward Ives und Randall Thompson.” Ph.D diss., Staatliche Hochschule für Musik, Freiburg im Breisgau, 1995.

Filho, Carlos Marigo. “L'allusion musicale au début du XXe siècle.” Ph.D. diss., Université Panthéon-Sorbonne (Paris), 2001.

Carlson, Paul Bollinger. “An historical background and stylistic analysis of three twentieth century compositions for violin and piano.” Ph.D. diss., University of Missouri at Kansas City, 1964.

Sahr, Hadassah Gallup. “Performance and analytic study of selected piano music by American composers.” Ed.D. diss., Columbia University, 1969.

Pilkington, Steve. “G is for genius: the life and works of Charles Ives.” In The ABC's of American church music: a first primer. Ph.D. diss., Drew University, 2008.

Baskerville, David Ross. “Jazz influence on art music to mid-century.” Ph.D. diss., University of California, Los Angeles, 1965.

McCandless, William Edgar. “Cantus firmus techniques in selected instrumental compostions, 1910-1960.” Ph.D. diss., Indiana University, 1974.

North, William Sills Wright. “Ned Rorem as a twentieth century song composer.” D.M.A. diss., University of Illinois, 1965.

Griffith, Michael Ted. “Analysis and selected stylistic problems of five works for small chamber orchestra.” D.M.A. diss., University of Colorado, 1987.

O’Donnell, Shaugn J. “Transformational voice leading in atonal music.” Ph.D. diss., City University of New York, 1997.