B. Theses

Bozynski, Michelle Carole. “Transcendentalism and social context as meaning in the music of Charles Ives: a case study of The things our fathers loved.” M.Mus. Thesis, University of Alberta, 1995.

Hanks, Sarah Elizabeth. “Charles Ives: the creative process of the composer especially in the Second pianoforte sonata, Concord, Mass., 1840-1860.” M.A. thesis, Smith College, 1963.

Clark, Philip Steven. “An analysis of the second movement, "Hawthorne," of Piano sonata no. 2, "Concord, Mass., 1840-1860" by Charles Ives.” M.M. Thesis, DePauw University, 1966.

Allen, Sandra Gillette. “Salient formal and thematic structures in the four violin sonatas of Charles Ives.” M.A. Thesis, University of Washington, 1966.

Stace, Stephen. “Charles Ives' concept of organization and unity as revealed in the third symphony.” M.F.A. Thesis, Pennsylvania State University, 1974.

Harer, Carolyn Bertha. “Charles Ives and a stylistic analysis of his three piano sonatas.” M.M. Thesis, North Texas State College, 1955.

Jones, Marged. “Compositional techniques with suggested rehearsal strategies for selected choral works of Charles Ives.” M.M. thesis, Kent State University, 1980.

Patkin, Nehama. “New approaches to piano sonorities in works of Charles Ives, Henry Cowell and Edgar Varèse.” M.M. thesis, University of Melbourne, 1976.

Gillespie, Matthew D. “Charles Ives: an examination of three songs with some thoughts on multiple perspectives in his works.” M.M. Thesis, East Carolina University, 2004.

Beck, Nancy Ann. “The effect of Charles Ives' religious philosophy on the content of some of his latter songs, 1919-1921.” M.A. Thesis, Ball State University, 1977.