X. Editing Practices and Articles Regarding Published Editions

Flanagan, William. “Two Violin Sonatas.” Musical America 71, no. 12 (October 1951): 31.

Seeger, Charles. Review of “Hallowe’en, from ‘Three Outdoor Scenes,’ for 2 violins, viola, cello, piano.” Notes 7, no. 3 (June 1950): 432.

Ulrich, Homer. “Trio, for Violin, Cello, Piano.” Notes 13, no. 3 (June 1956): 527.

Persichetti, Vincent. Review of “Largo, for Violin, Clarinet, Piano.” Notes 11, no. 6 (December 1953): 157.

Sapp, Allen. “String Quartet No. 2.” Notes 12, no. 4 (June 1955): 489-492.

Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.

Stevens, Halsey. Review of “Scherzo (Over the Pavements). For chamber orchestra. Performable also as chamber music.” Notes 12, no. 2 (December 1954): 326.

Whallon, Evan. Review of “The Unanswered Question, for Chamber Orchestra. “Performable Also as Chamber Music) by Charles Ives; Calcium Light, for Orchestra by Charles Ives.” Notes 11. no. 4 (September 1954): 607.

Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.

Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.