XII. Interdisciplinary Performances with Ives’s Music

George Balanchine, choreographer. Ivesiana (1954); ballet; New York City Ballet Company. [Homage to Ives in the year of his death.]

Martin, Michael Rheta. The Arts: A Guide to Painting, Sculpture, Archi-tecture, Music and Theater. Indianapolis, IN: Bobbs--Merrill, 1965.

Buchau, Stephanie von. “Meeting Mr. Ives.” Opera News 40 (May 1976): 39-40.

Fisher, Barbara Milberg. “Rehearsing with Mr. B: Stravinsky, Schoenberg, Ives.” Dance Chronicle 28/3 (2005): 293-322.

Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner, August 21, 1938, 195-196.

Phillips, A. “Blankert: ‘Charles Ives.’” Dance Theatre Journal 11/1 (Winter 1993): 37.

Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.

Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.

Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.

Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.