IV. Individual Studies by Genre

Gail, Dorothea. “The Concord Sonata of Charles Ives: An Analysis of the Individuation of the Musical- Autonomous Logic of the Form.” Paper read at a The Congress of the German Society for Music Theory [Twentieth Century Session]. Cologne, Germany, October 16, 2004.

Gann, Kyle. “Conservative Praise: Saving Charles Ives’s Symphonies from His Fans.” Symphony 55/3 (May-June 2004): 13--17.

Mercado, Mario. “Ives: The View from the Podium.” In Charles Ives: An American Original in Context, 28, 30. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.

Riis, Thomas L. “Memory, Form, and Invention in Charles Ives's Fourth Violin Sonata.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.

Denise Von Glahn. “Sylvan in the City: Everyday Eternal in ‘Central Park in the Dark.’” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.

Gardner, Kara Anne. “Antimodernism, ‘The Celestial Railroad,’ and ‘The Comedy’ of Charles Ives.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.

Baron, Carol K. “Tonal Systems in Crisis: Composition and Autog-raphy in Charles Ives's First Symphony.” Paper presented at Fifth Eu-ropean Music Analysis Conference. University of Bristol, Bristol, England, April 2002.

Baron, Carol K. “Biography and Compositional Process in Charles Ives's First Symphony: Lessons Learned; Mastery Gained.” Paper presented at the meeting of the Greater New York Chapter of the American Musi-cological Society. Rutgers University, Brunswick, New Jersey, February 2002.

Swanson, Alan. “An Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives.” Ars Lyrica 12 (2001--2002): 71--90.

James Ripley, Philip Lambert, Jonathan Elkus, and James Sinclair. “Ives and His Use of Theater Transformation.” Lecture, Fiftieth anniversary of the East-man Wind Ensemble, Eastman School of Music, Rochester, New York, February 7, 2001.