IV. Individual Studies by Genre

Toncitch, Voya. “‘Three Page Sonata’ by Charles Ives.” Melos 5 (Septem-ber-October 1972): 277-279.

Stover, Harold. “Charles Ives’s Variations on ‘America.’” American Organ-ist 31/11 (November 1997): 72-75.

Rostkowski, David. “America’s Greatest Composer: The Piano Works of Charles Ives.” In Piano music. VII: Muzyka fortepianowa. VII, edited by Janusz Krassowski. Prace specjalne Vol. 42. Gdansk, Poland: Akademia Muzyczna im. St. Moniuszki, 1987, 119-42.

Pappastavrou, George. “Ives's Quarter-Tone Pieces.” Clavier 13/7, 1974, 31-32.

Hertz, David Michael. “Ives's Concord Sonata and the Texture of Music.” In Charles Ives and His World, edited by J. Peter Burkholder, 75-117. Princeton, NJ: Princeton University Press, 1996.

Dumm, Robert. “Performer’s Analysis of an Ives Piano Piece.” Clavier 13/7 (1974): 21-25.

Clark, Sondra Rae. “Ives and the Assistant Soloist.” Clavier 13/7 (1974): 17-20, 30.

Baron, Carol Kitzes. “Ives on His Own Terms: An Explanation, a Theory of Pitch Organization, and a New Critical Edition for the Three Page Sonata.” Ph.D. diss., City University of New York, 1987.

Rottermund, Krzysztof. “Filozofia, estetyka i warsztat w utworze Charlesa Ivesa The Unanswered Question." Zeszyty naukowe 28 (1989): 199-202.

Gratovich, Eugene. “Ives Second Violin Sonata: Performance Alternatives.” American String Teacher 29/2 (Spring 1979): 46-49.