IV. Individual Studies by Genre

Feder, Stuart. “This Scherzo is [not] a Joke.” In Humor and Psyche: Psy-choanalytic Perspectives, edited by James W. Barron, 203-217. Hillsdale, NJ: Ana-lytic Press, 1999.

Cooney, Denise Van Glahn. “A Sense of Place: Charles Ives and ‘Putnam’s Camp, Redding, Connecticut.” American Music 14/3 (Fall 1996): 276-312.

Carr, Cassandra I. “Charles Ives's Humor as Reflected in His Songs.” Amer-ican Music 7/2 (Summer 1989): 123-139.

Stone, Kurt. “A Postscript on Ives’ Fourth.” The Musical Quarterly, Vol. 52 (1966).

Sear, H.G. “Charles Ives: Song-Writer.” Monthly Musical Record (February 1951).

Goodman, John. “An Urbanized Thoreau.” The New Leader (September 23, 1968: 23-24.

Frankenstein, Alfred. “Ives’ Concord Sonata—A Great Day for American Music.” ACA Bulletin, Special Commemorative Issue, Vol. 10, No. 2, (May 1962).

Yellin, Victor F. “Rezension der Schallplatteneinspielung von “The Celestial Country.” Musical Quarterly 60 (1974): 500-508.

Pozzi, Raffaele. “Polemica antiurbana ed isolamento ideologico in ‘Central Park in the Dark’ di Charles Ives.” Nuova Rivista Musicale Italiana 19 (1985): 471-481.

Parthun, Paul. “Concord, Charles Ives, and Henry Bellaman.” Student Musicologists at Minnesota 6 (1975-76): 66-86.