IV. Individual Studies by Genre

Brooks, William. “A Drummer Boy Looks Back: Percussion in Ives’ ‘Fourth Symphony’.” Percussive Notes 22 (1984): 4-45.

Babcock, Michael J. “Ives’ ‘Thoreau’: A Point of Order.” American Society of University Composers (Proceedings) IX/X (1974/75): 91-102.

Cohen, Hermann. “All the wrong notes are right’ — Zu Ch. Ives’ 2. Klaviersonate.” Neuland 1 (1981-1982): 28-42.

Rathert, Wolfgang. “Charles Ives: ‘Robert Browning Overture’.” Neue Zeitschrift für Musik 148/4 (1987): 28-31.

Rathert, Wolfgang. “Paysage imaginaire et perception totale: L’idée et la forme de la symphonie Universe.” Contrechamps 7 (1986): 129-154.

Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modern Performance from Sketches from his ‘Universe’-Symphony.” Perc Notes 23 (1985): 58-84.

Hall, David. “Premiere and Cultural Turning Point: Charles Ives’ Fourth Symphony: An Account of the History and Preparation of the Score, the Problematic Rehearsals, and the First Performance of an Almost Legendary Work.” HiFi/Stereo Review Review, July 1965), 55-58.

Clark, Sondra Rae. “The Element of Choice in Ives’s ‘Concord Sonata.’” Musical Quarterly 60/2 (April 1974): 167-186.

Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” Perspectives of New Music (Spring-Summer 1965): 22-31.

Tenney, James. “Some Notes on the Music of Charles Ives.” Liner notes for Songs by Charles Ives. Folkways Records, FM 3344,1966, LP.