IV. Individual Studies by Genre

Hall, David. “Review of Ives’ Choral Music, vol. I.” Hi-fi/Stereo Review, Vol. 18 (January 1967).

Friedheim, Philip. “Review of [Ives’] First Violin Sonata.” Music Library Association Notes, Second Series, Vol. 11, No. 1 (December 1953).

Fitelberg, Jerzy. “Review of Ives’ ‘Second Suite.’” Modern Music, Vol. 9, No. 4 (May 1932).

Cowell, Henry. “Review of Three-Page Sonata.” The Musical Quarterly vol. 35 (1949).

Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music, 11/2 (January 1934): 59-64.

Cohn, Arthur. “Not once but twice—the ‘Concord’ Sonata.” The American Record Guide, Vol. 28, June 1962.

Clark, Sondra Rae. “The Transcendental Philosophy of Charles E. Ives as Expressed in ‘The Second Sonata for Pianoforte, “Concord, Mass., 1840-1860,”’” Master’s Thesis, San Jose State College, 1966.

Charles, Sydney Robinson. “The Use of Borrowed Materials in Ives’ Second Symphony.” The Music Review, 28/2 (May, 1967): 102-111.

Boatwright, Howard. “Ives’s 1/4 tone Impressions.” Perspectives of New Music, vol. 3 (Spring-Summer 1965).

Osborne, William. “Charles Ives the Organist.” The American Organist (July 1990): 58-64.