A. Orchestral and Band Works

Josephson, Nors S. “Zur Formalen Struktur einiger später Orchester-werke von Charles Ives (1874-1954).” Die Musikforschung 27 (1974): 57-64.

Herrmann, Bernard. “Four Symphonies of Charles Ives.” Modern Music 22 (1945): 215-222.

Cyr, Gordon. “Intervallic Structural Elements in Ives’ Fourth Symphony.” Perspectives of New Music 9/2 and 10/1 (1971): 291-303.

Brooks, William. “Unity and Diversity in Charles Ives’s Fourth Symphony.” Yearbook for inter-American Musical Research 10 (1974): 5-49.

Jolas, Betsy. “Sur Ives: ‘The Unanswered Question,’” Musique en Jeu, No. 1 (1970).

Hermann, Bernard. “Four Symphonies by Charles Ives.” Modern Music, vol. 22, no. 6 (November-December 1945).

Fitelberg, Jerzy. “Review of Ives’ ‘Second Suite.’” Modern Music, Vol. 9, No. 4 (May 1932).

Charles, Sydney Robinson. “The Use of Borrowed Materials in Ives’ Second Symphony.” The Music Review, 28/2 (May, 1967): 102-111.

Nelson, Mark D. “Beyond Mimesis: Transcendentalism and Processes of Analogy in Charles Ives’ ‘The Fourth of July.’” Perspectives of New Music 22, Nos. 1-2 (1984): 353.

Johnson (Swafford), Jan. “The Second Phase: Compositional Techniques and Form in Ives’ Fourth Symphony.” Senior Thesis, Harvard College, 1968.