C. Keyboard Works

Hertz, David Michael. “Ives's Concord Sonata and the Texture of Music.” In Charles Ives and His World, edited by J. Peter Burkholder, 75-117. Princeton, NJ: Princeton University Press, 1996.

Dumm, Robert. “Performer’s Analysis of an Ives Piano Piece.” Clavier 13/7 (1974): 21-25.

Clark, Sondra Rae. “Ives and the Assistant Soloist.” Clavier 13/7 (1974): 17-20, 30.

Baron, Carol Kitzes. “Ives on His Own Terms: An Explanation, a Theory of Pitch Organization, and a New Critical Edition for the Three Page Sonata.” Ph.D. diss., City University of New York, 1987.

Mack, Dieter. “Auf der Suche nach einer amerikanischen Musik? Zur Musiksprache von Charles Ives anhand der Three-Page-Sonata.” In Visionen und Aufhruche: Zur Krise der modernen Musik 1908-1933, edited by Gunther Metz. Hochschuldokumentationen zu Musikwissenschaft und Musikpadagogik Musikhochschule Freiburg No. 5. Kassel, Germany: Bosse, 1994, 201-233.

Goodman, John. “An Urbanized Thoreau.” The New Leader (September 23, 1968: 23-24.

Frankenstein, Alfred. “Ives’ Concord Sonata—A Great Day for American Music.” ACA Bulletin, Special Commemorative Issue, Vol. 10, No. 2, (May 1962).

Parthun, Paul. “Concord, Charles Ives, and Henry Bellaman.” Student Musicologists at Minnesota 6 (1975-76): 66-86.

Goudie, Andrea. “Exploring the Broad Margins: Charles Ives’s Interpretation of Thoreau.” The Midwest Quarterly 13 (1972): 309-317.

Rathert, Wolfgang. “Mahler und Ives. Gibt es eine ‘geheime Zeitgenossenschaft’?” Nue Zeitschrift für Musik 151/10 (1990): 7-12.