E. Songs

Velten, Klaus. “Charles Ives: der Komponist und die Natur im Spiegel seiner Liedkomposition “Now came still evening on.”” In Musik über Worte: Studien zum lyrischen Gesang in Romantik und Moderne. Saarbrücken, Germany: Pfau, 1999.

Ives, Charles E. New music: a quarterly of modern compositions, nineteen songs. New York, New York: New Music, 1935.

Grill, Stanley. “A language so transcendent: an analysis of style and content in the songs of Charles Ives.” New York, NY: Stanley Grill, 1982.

Kimball, Carol. “Charles Ives (1874-1954).” In A guide to art song style and literature. Milwaukee, WI: Hal Leonard, 2006.

Friedberg. Ruth C. “Charles Ives (1874-1954).” In American Art Song and American Poetry, I: America Comes of Age, 43-89. Metuchen, NJ: The Scarecrow Press, 1981.

Houtchens, Alan and Janis P. Stout. “Intertextuality and Meaning in Charles Ives’s In Flanders Fields.” In The Maynooth International Musicological Conference 1995: Selected Proceedings, edited by Patrick F. Devine and Harry White. Dublin, Ireland: Four Courts Press, 1996.

Simms, Bryan R. “Charles Ives, Notes to 114 songs.” In Composers on Modern Musical Culture: An Anthology of Readings on Twentieth-Century Music. New York, NY: Schirmer Books, 1999.

Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.

Kraft, Leo. “Afterglow / Charles Ives.” In Gradus: the second year and after: an integrated approach to harmony, counterpoint, and analysis. New York, NY: W.W. Norton, 1990.

Karp, T. “Charles Ives’s Book of 114 songs.” In A Musical offering: essays in honor of Martin Bernstein, edited by Edward H. Clinkscale and Claire Brook. New York: Pendragon Press, 1977.