V. General Music Studies

“Composer’s Column (Charles E. Ives).” International Musician (November 1949).

Carpenter, Patricia. “The Musical Object.” Current Musicology, No. 5 (1967).

Rosenfeld, Paul, ed. Herbert A. Leibowitz. Musical Impressions. New York, New York: Hill & Wang, 1969.

Epperson, Gordon. The Musical Symbol, A Study of the Philosophic Theory of Music. New York, New York: Da Capo Press, 1986.

Voss, Egon. “Bemerkungen zur Musik von Charles E. Ives (1874-1954).” Musik und Kirche 40 (1970): 145-148.

Riedel, Johannes. Student Musicologists at Minnesota, Vol. VI: Centennial Ives Issue Celebrating the USA’s 200th Birthday. Minneapolis, Minnesota: University of Minnesota, 1975-1976.

Sonntag, Brunhilde. “Untersuchungen zur Collagetechnik in der Musik des 20. Jahrhunderts, Regensburg 1977.” Perspektiven z. Musikpädagogik und Musikwissenschaft, Regensburg (1977).

Reti, Rudolph. Tonality in Modern Music. New York, NY: Collier Books, 1962.

Křenek, Ernst. “Charles Ives, 1874-1954.” Schweizerische Musikzeitschrift 95 (1955): 141-144.

Cowell, Henry and Sidney. Charles Ives. Perspektiven 5/13 (1955): 120-138.