VI. Topical Studies

“Up Front.” Musical America (1991).

“Notes for Notes.” Notes 48/2 (1991): 449.

Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.

Martha Dorrill. "The Alcotts.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.

Hesselink, Paul and Frieda Myers. “Ives and Quarter Tones.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.

Etheridge, Elizabeth. “Ives the Insurance man.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.

Asmodo, Joe. “Charles Ives: Komponist als Zweitberuf oder National- held mit Hindernissen.” AbraHadAbra: Das Magazin des Neuen Aons 4/8 (August 1991): 52-54.

Gann, Kyle. “Pulitzer Hacks: Amateur Composers versus the Profes-sionals.” Village Voice, July 30, 1991.

Davenport, Linda G. “A Teaching Idea.” Sonneck Society for American Music Bulletin 16/3 (1990): 100.

Harris, Ellen T. “Integrity and Improvisation in the Music of Handel.” Journal of Musicology 8/3 (Summer 1990): 301-315.