VI. Topical Studies

Reich, Howard. “Classical Secrets: Nicolas Slonimsky’s Highbrow Writings Raise Eyebrows.” Chicago Tribune 13, April 26, 1987, 16-17.

Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.

Tischler, Barbara L. An American Music: The Search for an American Musical Identity, 21, 38- 41,115. New York, NY: Oxford University Press, 1986.

Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.

Dobos, Lora Gingerich. “A Technique for Melodic Motive Analysis in Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.

Kaenel, André. “Les transcendentalists americaines.” Contrechamps 7 (1986): 99-109.

Henahan, Donal.“Maverick Composers Make Their Own Choices.” The New York Times, December 14, 1986, 2, 25, 32.

Stiller, Andrew. “Who Owns American Music?” Opus 3/1 (December 1986): 18, 60.

Weschler, Lawrence. “Profiles: Boy Wonder—I.” New Yorker 62/39 (Novem-ber 17, 1986): 54-56, 61, 64-65, 68-70, 72-73, 76-78, 87-89, 91-93. “Boy Wonder—II.” New Yorker (November 24) 62/40: 52-54, 57- 58, 60, 63-64, 67-74.

Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.