VI. Topical Studies

Gann, Kyle. “The Eleven Limit and the Fourth Dimension.” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 138-140. Urbana, IL: University of Illinois Press, 2019.

Ferrari, Giordano. “Le «Populaire» Comme Matériau Pour L’innovation Musicale: Satie, Milhaud, Ives.” Musurgia, vol. 9, no. 1 (2002): 61-74.

Kirkpatrick, Ralph. “John Kirkpatrick.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 89-94. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.

Sandifer, C. Edward. “Life and Death - Part 1: (July 2008).” In How Euler Did Even More, 1st ed, 67-73. Washington, DC: Mathematical Association of America, 2015.

Nagano, Kent et al. “Bernstein and Ives: Whither America?” In Classical Music: Expect the Unexpected, 217-232. Montreal, Canada: McGill-Queen's University Press, 2019.

Fricke, Stefan, and Hans G. Helms. “Von Ives Lernen... Stefan Fricke Im Gespräch Mit Hans G. Helms.” Neue Zeitschrift Für Musik, vol. 162, no. 5 (2001): 22-25.

Specq, François. “« God's Alphabet »: Le Transcendantalisme Musical De John Sullivan Dwight.” Revue Française D'études Américaines, no. 117, (2008): 6-25.

Suhor, Charles. “To Charles Ives.” The English Journal, vol. 65, no. 5 (1976): 45-46.

Fürst-Heidtmann, Monika. “Reflektierte Eigenständigkeit: Der Pianist, Musikschriftsteller Und -Forscher Herbert Henck.” Neue Zeitschrift Für Musik, vol. 163, no. 6 (2002): 30-33.

Taruskin, Richard. “Underneath the Dissonance Beat a Brahmsian Heart.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 186-190. Berkeley, CA: University of California Press, 2009.