VI. Topical Studies

Ivashkin, Alexander. “Symbols, Metaphors and Irrationalities in Twentieth-Century Music.” In Facets of Russian Irrationalism between Art and Life, 415-432. Amsterdam, Netherlands: Rodopi, 2016.

Notley, Margaret. ““With a Beethoven-Like Sublimity”: Beethoven in the Works of Other Composers.” In The Cambridge Companion to Beethoven, edited by Glenn Stanley. Cambridge, United Kingdom: Cambridge University Press, 2000.

Bohlman, Philip V. “Introduction.” In Music in American Religious Experience, edited by Bohlman, Philip V., Edith L. Blumhofer, and Maria M. Chow. Oxford, United Kingdom: Oxford University Press, 2005.

Sachs, Joel. “Henry and His Circle.” In Henry Cowell: A Man Made of Music. Oxford, United Kingdom: Oxford University Press, 2012.

Sachs, Joel. “Collaborations and an Ives Biography.” In Henry Cowell: A Man Made of Music. Oxford, United Kingdom: Oxford University Press, 2012.

Parker, Imogen. “The Time of Music: The Music of Time.” Critical Quarterly 50, no. 3 (2008): 43-76.

Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.

Beal, Amy C. “Experimentalists and Independents are Favored: John Edmunds in Conversation with Peter Yates and John Cage, 1959-1961.” Notes 64, no. 4 (June 2008): 659-687.

Lefebure, Leo D. “A Christian Commentary on the “Dhammapada.”” Buddhist-Christian Studies 33, no. 1, (2013): 181-189.

Asia, Daniel. “Copland—Music and Imagination: A Review and Commentary.” Academic Questions 26, no. 2 (Summer 2013): 212-219.