B. Musical Quotation or Borrowing

Winthrop P. Tryon. “Folk Song and Hymn Tunes of America.” Christian Science Monitor, November 29, 1924, 18.

Sales, Grover. “The Strange Case of Charles Ives, or Why is Jazz Not Gay Music.” Gene Lees Jazzleiter 4, no. 5 (December 1984): 1-8.

Andriessen, Louis, “Anachrony and Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 227. Urbana, IL: University of Illinois Press, 1977.

Gibbons, William. “‘Yankee Doodle’ and Nationalism, 1780-1920.” American Music 26/2 (2008): 246-274.

Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.

Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.

Ellison, Mary. “Ives’ Use of American ‘Popular’ Tunes as Thematic Material.” In South Florida’s Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 30--34. -Coral Gables, FL: University of Miami at Coral Gables, 1976.

Morgan, Robert P. “American Music and the Hand-Me-Down Habit.” High Fidel-ity, June 1976, 70-72.

Riegger, Wallingford. “To the New Through the Old.” Magazine of AH 32, 8 (August 1939): 491-492.

Ostendorf, Berndt. “Das amerikanische Folksong Revival: Ein Rückblick.” Jahrbuch für Volksliedforschung 43 (1998): 93-99.