E. Comparisons and Relationships with Other Composers, Artists, and Writers

Johnston. Walter. “Style in W.C. Williams and Charles Ives.” 20th Century Literature 31 (Spring 1985): 127-136.

Jacobson, Bernard. “The ‘In’ Composers: Mahler, Ives, Nielsen, Sibelius, Vivaldi, Berlioz—Are They Permanent Classics or Just Temporary Fads?” High Fidelity/Musical America 19/7 (July 1969): 54-57.

Harrison, Lou. “Ives, Ruggles, Varèse.” View 5/4 (November 1945): 11.

Harley, Maria Anna. “An American in Space: Henry Brant's ‘Spatial Music.’” American Music 15 (Spring 1997): 70-92.

Gillespie, Don. “John Becker, Musical Crusader of St. Paul.” Musical Quar-terly 62/12 (April 1976): 195-217.

Eger, Joseph. “Ives and Beatles!” Music Journal 26/9 (September 1968): 46, 70-71.

Denhoff, Michael. “Stille und Umkehr. Betrachtungen zum Phanomen Zeit.” MusikTexte 24 (1988): 27-38.

Davis, Ronald L. "MacDowell and Ives." In A History of Music in American Life, Vol. 2: The Gilded Years, 1865-1920, 108-38. Huntington, NY: Robert Krieger, 1980.

Botstein, Leon. “Innovation and Nostalgia: Ives, Mahler, and the Origins of Modernism.” In Charles Ives and His World, edited by J. Peter Burkholder, 35-74. Princeton, NJ: Princeton University Press, 1996.

Bonham, Robert John. “Some Common Aesthetic Tendencies Manifested in Examples of Pioneer American Cabins and Old Harp Music and in Selected Works of H.H. Richardson and Charles E. Ives.” Ph.D. diss., Ohio University, 1981.