E. Comparisons and Relationships with Other Composers, Artists, and Writers

O’Donnell, Shaugn. “American Chaos: Charles Ives and the Grateful Dead.” In The Grateful Dead in Concert: Essays on Live Improvisation, edited by Jim Tuedio and Stan Spector. Jefferson, NC: McFarland, 2010.

Wilson-Dickson, Andrew. “The United States and the European classical tradition: Charles Ives.” In The story of Christian music: an illustrated guide to all the major traditions of music in worship. Oxford, United Kingdom: Lion, 2003.

Brown, Stephen. “In America: Ives and Copland.” In The Sense of Music. San Diego, CA: Harcourt Brace Jovanovich, 1988.

Black, Leo. “Harry Croft-Jackson: with a note on Charles Ives.” In BBC music in the Glock era and after: a memoir, edited by Christopher Wintle and Kate Hopkins. London, United Kingdom: Cosman Keller Art and Music Trust: in association with Plumbago Books; Rochester, NY: Distribution, Boydell & Brewer, 2010.

Morgan, Robert P. ““The things our fathers loved”: Charles Ives and the European tradition.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.

Cordes, Joan Kunselman. “A new American development in music: some characteristic features extending from the legacy of Charles Ives.” Ph.D Dissertation, The Louisiana State University and Agricultural and Mechanical College, 1976.

Lipkis, Laurence Alan. “Aspects of temporality in Debussy's Jeux and Ive's Symphony no. 4, fourth movement.” Ph.D. Diss., University of California, Santa Barbara, 1984.

Courrier, Kevin. Dangerous kitchen: the subversive world of Zappa. Toronto, Canada: ECW Press, 2002.

Bowden, Charles. “On the edge with Edward Abbey, Charles Ives, and the Outlaws.” In Abbey in America: a philosopher's legacy in a new century. Albuquerque, NM: University of New Mexico Press, 2015.

Orr, N. Lee. Dudley Buck, 51-52. Urbana, IL: University of Illinois Press, 2008.