E. Comparisons and Relationships with Other Composers, Artists, and Writers

Paul, David C. “Conversing Paths to Canonicity: Charles Ives, Gustav Mahler, and American Culture.” Ph.D. diss., University of Cali-fornia at Berkeley, 2005.

Owens, Thomas. “Chord and Dissonance: The Relationship of Peter Yates and Charles Ives and the Role of Los Angeles in the Reception of Ives’s Music.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.

Müller, Hermann- Christoph. “Natur wozu? Zwei Anmerkungen zur
nordamerikanischen Musik und zu Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 106-115. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.

A Century of Composing in America: 1820-1920, The City University of New York, The Graduate Center, New York, New York, October, 2004.

Miller, Sarah Bryan. “Quintessential American Artists.” St. Louis Post- Dispatch. July 4, 2004, sec. E: 5.

Vinay, Gianfranco. “Charles Ives tra nostalgia e Utopia.” Il Giornale della Musica 20/204 (May 2004): 26.

Sinclair, James B. “Riordinare il genio.” Translated by Aloma Bardi. Il Giornale della Musica 20/204 (May 2004): 25-26.

Burkholder, J. Peter. “Un americano figlio dell’Europa.” Translated by Aloma Bardi. Il Giornale della Musica 20/204 (May 2004): 25-26.

Bardi, Aloma. “L’eccentrico assicuratore Ives” (24--25). Il Giornale della Musica 20/204 (May 2004): 24--26.

Bardi, Aloma, ed.“Ives, un Padre del Novecento.” Il Giornale della Musica 20/204 (May 2004): 24--26.