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Bibliography

Abott, Reverend Jacob

Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.
Source: Literary References
Reprints:

"Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.

XIII. Ives in Literature
B. Fiction

Addiego, J.

Year: 1982
Complete Citation:
Addiego, J. “Charles Ives.” Epoch 31/2 (1982): 127.
Source: Journal
XIII. Ives in Literature
A. Poetry

Addiego, John

Year: 1982
Complete Citation:
Addiego, John. “Charles Ives.” Epoch 31/2 (Spring 1982): 127.
Source: Poem
XIII. Ives in Literature
A. Poetry

Axelrod, Alan

Year: 1976
Complete Citation:
Axelrod, Alan. “A Song by Charles Ives.” Brilliant Corners 5 (Spring 1977): 20--25.
Notes:

An essay with a poetic tone. Dated 1976.

Source: Poem
XIII. Ives in Literature
A. Poetry

Baron, Carol K.

Year: 1991
Complete Citation:
Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Becker, Dr. John H.

Year: 1933
Complete Citation:
Becker, John H. “Charles E. Ives: Musical Philosopher.” Northwest Musical Herald (January 1933): 5-6.
Notes:

Available at the Yale University Music Library Archival Collection. “Charles Ives Papers” Mss. 14/41; 14/56/2; 41/112.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Bellamann, Henry

Year: 1923
Complete Citation:
Bellamann, Henry. “Notes on the New Aesthetic of Poetry and Music.” Musical Quar-terly 9, no.2 (April 1923): 260-270.
Source: Journal
XIII. Ives in Literature
A. Poetry

Bemlef, J.

Year: 1977
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 232-238. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
XIII. Ives in Literature
A. Poetry

Bernlef, Jan

Year: 1966
Complete Citation:
Bernlef, Jan. “Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 233-238. Urbana, IL: University of Illinois Press, 1977.
Source: Poem in Book
XIII. Ives in Literature
A. Poetry

Blanding, Thomas

Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy

Bloom, Harold

Complete Citation:
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975: 162.
Notes:

Only one reference to Ives: "The war of American poets against influence is part of our Emersonian heritage, manifested first in the great triad of 'The Divinity School Address,' 'The American Schol-ar,' and ‘Self--Reliance.' This heritage can be traced in Thoreau, Whit-man, Dickinson and quite directly again in Robinson and Frost, in the architectural writings of Sullivan and Wright, in the Essays Before a Sonata of Charles Ives. The less direct heritage is more relevant to any brooding on the negative aspects of poetic influence, centering partly on Pound and Williams (where it is refracted through Whitman) and partly on Stevens, who disliked the very idea of influence."

Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Bohlman, Philip V.

Year: 2005
Complete Citation:
Bohlman, Philip V. “Introduction.” In Music in American Religious Experience, edited by Bohlman, Philip V., Edith L. Blumhofer, and Maria M. Chow. Oxford, United Kingdom: Oxford University Press, 2005.
Source: Newsletter
VI. Topical Studies
A. Transcendentalism or Philosophy

Bond, Bruce

Year: 1989
Complete Citation:
Bond, Bruce. “Ives.” In The Ivory Hours. Amherst, MA: Heatherstone Press, 1989.
Source: Poem
Reprints:

Bond, Bruce. “Ives.” <i>Sonneck Society for American Music Bul-letin</i> 15/3 (1989): 111.

XIII. Ives in Literature
A. Poetry

Broyles, Michael

Year: 2004
Complete Citation:
Broyles, Michael. “Looking Back: Puritanism, Geography, and the Myth of American Individualism.” In Mavericks and Other Traditions in American Music, 271-296. New Haven, CT: Yale University Press, 2004.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Broyles, Michael and Denise Von Glahn

Year: 1999
Complete Citation:
Broyles, Michael, and Denise Von Glahn. 1999. “Later Manifestations of Concord: Charles Ives and the Transcendentalist Tradition.” In Transient and Permanent: The Transcendentalist Movement and its Contexts, edited by Charles Capper and Conrad Edick Wright, 574-604. Studies in American History and Culture, No. 5. Boston, MA: Massachusetts Historical Society.
Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Bruhn, Christopher

Year: 2004
Complete Citation:
Bruhn, Christopher. “Refracting History: Ives and Emerson and the German Romantic Tradition in American Music.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Buk, False

Year: 2007
Complete Citation:
Buk, False. “A outra América (do Norte): Ives, Cage e os transcendentalistas 1.” Claves, no. 4 (November 2007): 91-96.
VI. Topical Studies
A. Transcendentalism or Philosophy

Cavell, Stanley, Barbara Packer, Thomas Dumm, Elizabeth Johns, James Conant, and Ann Lauterbach [participants]

Year: 1996
Complete Citation:
Cavell, Stanley, Barbara Packer, Thomas Dumm, Elizabeth Johns, James Conant, and Ann Lauterbach [participants]. “Transcendentalism and American Culture.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 38-39. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: Chapter in Festival Publication
VI. Topical Studies
A. Transcendentalism or Philosophy

Charles, Daniel

Year: 1992
Complete Citation:
Charles, Daniel. “Emerson Selon Charles Ives.” Critique: Revue Générale Des Publications Françaises Et Étrangères (1992): 513.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Chmaj, Betty E.

Year: 1983
Complete Citation:
Chmaj, Betty E.. “Abstract: How Charles Ives Put Down the Concord Bards.” Sonneck Society for American Music Bulletin (Summer 1983) 9: 39.
Notes:

Regarding Sonata No. 2, “Concord, Mass., 1840-1860,” for piano.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy