Bibliography

no author listed

Year: 2001

Complete Citation:

Godell, Tom. “Ives: “Sets for Orchestra”; “Songs.” American Record Guide, Vol. 64, No. 5 (2001): 140-141.

Source: Magazine

D. Reviews

Year: 2002

Complete Citation:

“Visitenkarte - Charles Ives: The Celestial Country.” Musik und Kirche, Vol. 72, No. 5 (2002): 349.

Source: Journal

IV. Individual Studies by Genre
D. Choral Works

Year: 2002

Complete Citation:

“Compact Discs: Klavier im Quadrat.” Dissonanz (2002): 38.

Source: Journal (recording review)

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2002

Complete Citation:

“Footlights: Marching to Many Beats.” The New York Times, August 15, 2002, E1.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 2002

Complete Citation:

“Friday Review: Classical CD: Ives: From the Steeples and the Mountains; the Unanswered Question; Three Places in New England; Songs.” The Guardian, March 22, 2002, 22.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2002

Complete Citation:

“Ives Still has Bite.” Herald Sun (Melbourne, Victoria, Australia), June 18, 2002, 55.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 2002

Complete Citation:

“The Great American Innovator.” Daily Post [Conwy, Wales], June 7, 2002, 24.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 2002

Complete Citation:

“Evening the Score for Charles Ives: FINAL Edition.” The Washington Post, March 17, 2002.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 2002

Complete Citation:

“Résumés Abstracts.” Musurgia, vol. 9, no. 1 (2002): 92-95.

Source: Journal

V. General Music Studies
C. Other

Year: 2002

Complete Citation:

Noble, David W. “The Vanishing National Landscape: Painting, Architecture, Music, and Philosophy in the Early Twentieth Century.” In Death of a Nation: American Culture and the End of Exceptionalism, 151-214. Minneapolis, MN: University of Minnesota Press, 2002.

Source: Chapter in Book

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 2003

Complete Citation:

“Friday Review: Music Review: Classical CD Releases: Body and Soul: Andrew Clements on Kovacevichs Triumphant Rendition of Beethovens Sonatas, an Unconventional Take on Bach and the Rest of the Weeks Releases: Ives: Emerson Concerto; Symphony no 1 Feinberg/National Symphony of Ireland/Sinclair (Naxos).” The Guardian, October 24, 2003, 23.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 2003

Complete Citation:

“Let’s Hear it First for Ives.” Birmingham Evening Mail, January 15, 2003, 8.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 2003

Complete Citation:

“Charles Ives; on Record.” Sunday Times (London, England), October 19, 2003: 24.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2004

Complete Citation:

“Charles Ives: An American Original in Context.” Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.

Notes:

Six concerts devoted to Ives's compositions and others for contrast and comparison. An-nounced as the Philharmonic's “First Ever Celebration of America's Break-through Musical Genius.”

Source: Program Booklet

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes

Year: 2004

Complete Citation:

A Century of Composing in America: 1820-1920, The City University of New York, The Graduate Center, New York, New York, October, 2004.

Source: Conference

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 2004

Complete Citation:

“Charles Ives; on Record.” Sunday Times, May 9, 2004, 24.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2004

Complete Citation:

“Charles Ives Wrote it His Way; Blaze Your Path: Maverick Composer Ignored Critics to Create New Harmonies.” Investor’s Business Daily, October 21, 2004, A04.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 2004

Complete Citation:

“LETTERS; Worth a Listen: HOME EDITION.” The Los Angeles Times, May 16, 2004.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2004

Complete Citation:

“Die Autorin und die Autoren.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 207-211. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.

Source: Chapter in Book

VI. Topical Studies
I. Compositional Process

Year: 2004

Complete Citation:

Charles Ives: An American Original in Context. Avery Fischer Hall, New York, NY. New York Philharmonic Orchestra. May 11-29, 2004.

Notes:

Six concerts devoted to Ives’s compositions and others for contrast and comparison.

Source: Festival

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Bibliography

Genres

no author listed