Discography Portal

About

The first comprehensive Charles Ives discography, compiled by Richard Warren, was published in 1972. In the decades following, Warren, along with staff of the Yale Collection of Historical Sound Recordings, continued documenting newly released recordings of Ives’ music. With support from the Charles Ives Society, Kevin Sherwin completed compiling the discography to include recordings until 2019, and Nicholas Brewer edited and facilitated its online publication and search functions.

This online discography is a comprehensive and searchable list, presented in order of the table of contents listed below. For each composition, recordings are listed in chronological order. The table of contents is based on the structure of James Sinclair’s A Descriptive Catalogue of the Music of Charles Ives, which reflects the current catalogue of recordings of Charles Ives’ music. For more detailed explanations of the discography’s compilation and use of this website, please see the above links to the Preface and Usage Guide.

All Recordings
Search pieces, artists, dates, locations, record label, release number/format/year, text by, and additional notes
IV. Choral Music
ii. Other music for chorus and orchestra
LINCOLN (And so he came from the prairie cabin . . .) (V-B-5) Text by Edwin Markham
Recording Date/Location Performing Artists Record Label, Release Number, Format, Release Year Album Names
July 6, 2008, Laura Turner Hall, Schermerhorn Symphony Center, Nashville, TN. Nashville Symphony; Leonard Slatkin, conductor Naxos 8.559373, CD (2009). Naxos 950137, CD (2014). Naxos 8.505233, CD (2012). Abraham Lincoln Portraits. Slatkin at 70: Greatest Hits. The American Spirit: Roots and Transformations.
July 6, 2008, Laura Turner Hall, Schermerhorn Symphony Center, Nashville, TN. Nashville Symphony; Leonard Slatkin, conductor Naxos 8.559373, CD (2009). Naxos 950137, CD (2014). Naxos 8.505233, CD (2012). Abraham Lincoln Portraits. Slatkin at 70: Greatest Hits. The American Spirit: Roots and Transformations.
MAJORITY or THE MASSES (The masses have toiled . . .) (V-B-10) (185) Text by the composer
Recording Date/Location Performing Artists Record Label, Release Number, Format, Release Year Album Names
October 18, 1967, Manhattan Center, New York City, NY. The Gregg Smith Singers; Gregg Smith, director; The Ithaca College Concert Choir; The American Symphony Orchestra; Leopold Stokowski, conductor Columbia M4-32504, 33.3 RPM (1974). Sony Masterworks MPK-46726, CD (1991). Sony Classical 88691971152, CD (2012). Charles Ives: The 100th Anniversary. Symphony no. 4 - Robert Browning Overture - Majority (or The masses) - They are there (A war song march) - An election (It strikes me that) - Lincoln, the great commoner. Leopold Stokowski: The Columbia Stereo Recordings.
October 18, 1967, Manhattan Center, New York City, NY. The Gregg Smith Singers; Gregg Smith, director; The Ithaca College Concert Choir; The American Symphony Orchestra; Leopold Stokowski, conductor Columbia M4-32504, 33.3 RPM (1974). Sony Masterworks MPK-46726, CD (1991). Sony Classical 88691971152, CD (2012). Charles Ives: The 100th Anniversary. Symphony no. 4 - Robert Browning Overture - Majority (or The masses) - They are there (A war song march) - An election (It strikes me that) - Lincoln, the great commoner. Leopold Stokowski: The Columbia Stereo Recordings.
NASCENTES MORIMUR see TWO SLANTS: b. VITA
NOV. 2, 1920 (VI-B-65-b) (313)
Performing Artists Record Label, Release Number, Format, Release Year
David Smith, tenor. Raymond Beegle, piano. Yale Charles Ives Non-Commercial Sound Recordings 39002038373974, 1/4 inch sound tape reel.
David Smith, tenor. Raymond Beegle, piano. Yale Charles Ives Non-Commercial Sound Recordings 39002038373974, 1/4 inch sound tape reel.
NOV. 2, 1920 (VI-B-65-b) (313) see AN ELECTION
SLANTS see TWO SLANTS
SO NIGH IS GRANDEUR TO OUR DUST see TWO SLANTS: a. DUTY
THE HARVEST DAWN IS NEAR see HARVEST HOME CHORALES: i.
THE MASSES see MAJORITY
THE MASSES HAVE TOILED see MAJORITY
THE NEW RIVER or THE RUINED RIVER (Down the river comes a noise . . .) (V-B-4) (186) Text by the composer
Recording Date/Location Performing Artists Record Label, Release Number, Format, Release Year Album Names
July 7, 1965, Hollywood, CA. The Gregg Smith Singers; The Columbia Chamber Orchestra; Gregg Smith, conductor Columbia ML6321 (Matrix: XXLP-114206), 33.3 RPM (1966). Columbia MS 6921 (Matrix: XXSM l14208), stereo 33.3 RPM (1966). C.B.S. BRG 72581 & SBRG-72581, stereo 33.3 RPM (1967, England). Charles Ives: Music for Chorus
July 7, 1965, Hollywood, CA. The Gregg Smith Singers; The Columbia Chamber Orchestra; Gregg Smith, conductor Columbia ML6321 (Matrix: XXLP-114206), 33.3 RPM (1966). Columbia MS 6921 (Matrix: XXSM l14208), stereo 33.3 RPM (1966). C.B.S. BRG 72581 & SBRG-72581, stereo 33.3 RPM (1967, England). Charles Ives: Music for Chorus
October 12 or 19, 1970, Wahlberg Recording Studios, San Francisco, CA. Peter Del Grande, baritone; Vladimir Pleshakov, piano Custom Division of Orion Records CST-106, LP (1970). Peter Del Grande Sings Charles Ives
October 12 or 19, 1970, Wahlberg Recording Studios, San Francisco, CA. Peter Del Grande, baritone; Vladimir Pleshakov, piano Custom Division of Orion Records CST-106, LP (1970). Peter Del Grande Sings Charles Ives
November 8-11, 1983, New England Conservatory, Boston, MA The Conservatory Chorus; Lorna Cooke de Varon, conductor; John Heiss, piccolo New England Conservatory NEC-122, 33.3 RPM (1983). Charles Ives: New England Conservatory, November 8-11, 1983