Image
Complete Citation:
Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.
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Source: Journal
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K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
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Complete Citation:
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Banyai, Istvan. Illustration, 2004. New Yorker, June 7, 2004, 97.Source: Illustration
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Complete Citation:
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G. Music Theory Analyses
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Complete Citation:
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K. Stylistic Influences on Ives
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Complete Citation:
Block, Geoffrey. “Ives and the ‘Sounds that Beethoven Didn't Have.’” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 34-50. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
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Complete Citation:
Bower, Tim. Caricature. New Yorker, 2001 January 22): 17.Source: Caricature
Reprints:
Reproduced: announcement for an American Composers Orchestra concert.
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Complete Citation:
Leonard Breger. “Homage: Charles Ives 4th Symphony,” acrylic collage on cut-out shape masonite, 1997. Composer Homages Series.Notes:
Includes a likeness of Ives.
Source: Acrylic Cutout
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Brotman, Adolf E. Sketch/line drawing. Music Journal (March 1966) 24/3: 47.Notes:
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Complete Citation:
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Complete Citation:
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Complete Citation:
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Chandler, Bruce. Woodcut portrait, 1977. In A Meditation on Charles Ives, by Mark Weiss. Ephemon Collection, Rare Book, New York Public Library, 1977.Source: Woodcut portrait
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Complete Citation:
Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.Notes:
<i>The Unan-swered Question </i>and <i>Central Park in the Dark </i>are chosen for consider-ation. Each is analyzed by five basic listening dimensions: timbre, pulse, pitch height space, movement, and intensity.
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G. Music Theory Analyses
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Cober, Alan E. Illustration. Atlantic Monthly 273/1 (January 1994): 106.Source: Illustration
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K. Stylistic Influences on Ives