Addiss, Stephen
Year: 1957
Complete Citation:
Addiss, Stephen. “The vocal music of Charles Ives.” B.A. thesis, Harvard University, 1957.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Baron, Carol K.
Year: 1998
Complete Citation:
Baron, Carol K. “Some Theoretical Premises in Charles Ives's Music.” Lecture, University of Nevada, Reno, Nevada, February 1998.Source: Lecture
VI. Topical Studies
G. Music Theory Analyses
Boardman, Katherine R.
Year: 1969
Complete Citation:
Boardman, Katherine R. “Ives in Performance: 1900-1950.” Term paper, Yale University, 1969.Notes: Copy in the Charles Ives Papers, Irving S. Gilmore Library, Yale University, New Haven, CT.
Source: Term paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Bounds, Charles Evans
Year: 1951
Complete Citation:
Bounds, Charles Evans. “A study of the solo songs of Charles Ives.” M.M. Thesis, North Texas State College, 1951.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Bourne, Patricia Gerald
Year: 1961
Complete Citation:
Bourne, Patricia Gerald. “An American meets Euterpe: Charles Edward Ives.” A.B. thesis, Radcliffe College, 1961.Source: A.B. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Burger, Peter
Year: 1974
Complete Citation:
Burger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974.Source: Book
Reprints: Burger, Peter. <i>Theorie der Avantgarde</i>. Frankfurt am Main: Suhrkamp, 2013.
VI. Topical Studies
G. Music Theory Analyses
Burkholder, J. Peter
Year: 1990
Complete Citation:
Burkholder, J. Peter. “The Critique of Tonality in the Early Experimental Music of Charles Ives.” Music Theory Spectrum 12/2 (Fall 1990): 203-223.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1995
Complete Citation:
Burkholder, J. Peter. “Rule-Breaking as a Rhetorical Sign.” In Festa Musicologica: Essays in Honor of George J. Buelow, edited by Thomas J. Mathiesen and Benito V. Rivera. Stuyvesant, NY: Pendragon, 1995.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
Year: 2012
Complete Citation:
Burkholder, J. Peter. “Stylistic Heterogeneity and Topics in the Music of Charles Ives.” Journal of Musicological Research 31 (2012): 166-199.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Burkholder, J. Peter, Gayle Sherwood Magee, and James B Sinclair.
Complete Citation:
Burkholder, J. Peter, Gayle Sherwood, and James B. Sinclair. "Charles Ives: Works." In Grove Music Online, edited by Laura Macy. New York: Oxford University Press, 2007-2017.Source: Online Article
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Year: 2007-2017
Source: Online Article
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Burkholder, J. Peter, Gayle Sherwood, James B. Sinclair, and Wolfgang Rathert
Year: 2003
Complete Citation:
Burkholder, J. Peter, Gayle Sherwood, James B. Sinclair, and Wolfgang Rathert. “Ives, Charles Edward.” In Die Musik in Geschichte und Gegenwart (MGG), Vol. 9, edited by Ludwig Finscher and Friedrich Blume, 727-787. Kassel/Stuttgart, Germany: Bärenreiter, 2003.Source: Journal
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Cameron, Janet
Year: Year unlisted
Complete Citation:
Cameron, Janet. “An Analysis of the First Movement of the First Piano Sonata by Charles Ives.” Seminar paper, University of Illinois, year unlisted.Source: Seminar paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Catmull, Joan Carol
Complete Citation:
Catmull, Joan Carol. “The Transcendentalism of Charles E. Ives.” B.A. thesis, Brigham Young University, 1969.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Christiansen, Erik
Year: 1996
Complete Citation:
Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.Notes: <i>The Unan-swered Question </i>and <i>Central Park in the Dark </i>are chosen for consider-ation. Each is analyzed by five basic listening dimensions: timbre, pulse, pitch height space, movement, and intensity.
Source: Book
VI. Topical Studies
G. Music Theory Analyses
Year: 1996
Complete Citation:
Christensen, Erik. The Musical Timespace: A Theory of Music Listening. Alborg, Denmark: Alborg University Press, 1996.Source: Book
VI. Topical Studies
G. Music Theory Analyses
Clarke, Gary E.
Year: 1965
Complete Citation:
Clarke, Gary E. "A study of the music of Charles Edward Ives.” B.A. thesis, Cornell College, 1965.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Collaer, Paul, Albert vander Linden and F. van den Bremt, eds.
Year: 1960
Complete Citation:
Collaer, Paul, Albert vander Linden and F. van den Bremt, eds. “Charles Ives.” In Atlas historique de la musique. Paris, France: Elsevier 1960. Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Conway, Bret K.
Year: 1985
Complete Citation:
Conway, Bret K. “Harmonic evolution in Charles Edward Ives's 114 songs.” M.M. thesis, Baylor University, 1985.Source: M.M. Thesis
C. Baccalaureate Essays
B. Theses
Cowell, Henry
Year: 1954
Complete Citation:
Cowell, Henry. “The Music and Motives of Charles Ives." Center 1 (August-September 1954): 2-5.Source: Journal
VI. Topical Studies
G. Music Theory Analyses