Image
Complete Citation:
Walker, Gwyneth. “Tradition and the breaking of tradition in the string quartets of Ives and Schoenberg.” D.M.A. thesis, Hartt School of Music, University of Hartford, 1976.
Bibliography
Genres
Walker, Gwyneth
Year: 1976
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Wallach, Laurence
Year: 1973
Complete Citation:
Wallach, Laurence. “The New England Education of Charles Ives.” Ph.D. diss., Columbia University, 1973.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Walton, Scott
Year: 2003
Complete Citation:
Walton, Scott. “An improvisational reading of Charles Ives's Concord sonata.” D.M.A. thesis, University of California, San Diego, 2003.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Ward, Charles Wilson
Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives: The Relationship Between Aesthetic Theories and Compositional Processes.” Ph.D. diss., University of Texas at Austin, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Ward, Keith Charles
Year: 1985
Complete Citation:
Ward, Keith C. "Musical Idealism: A Study of the Aesthetics of Arnold Schoenberg and Charles Ives." D.M.A. diss., Northwestern University, 1985.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Waxman, Jonathan
Year: 2012
Complete Citation:
Waxman, Jonathan. “Prefacing Music in the Concert Hall: Program Books, Composer Commentaries, and the Conflict over Musical Meaning.” Ph.D. diss., New York University, 2012.Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
White, Bruce Howard
Year: 1978
Complete Citation:
White, Bruce Howard. “Evidence of three stylistic periods in selected Psalm settings by Charles E. Ives.” D.M.A. thesis, University of Colorado, 1978.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Wild, Chris
Year: 2018
Complete Citation:
Wild, Chris. “Charles Ives’ Three Places in New England: An Interpretation and a Conductor’s Guide.” Bienen School of Music, Northwestern University, 2018.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Wilson, Donald M.
Year: 1965
Complete Citation:
Wilson, Donald M. “Metric modulation in the music of Charles Ives.” D.M.A. thesis, Cornell University, 1965.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Wilson, Lawrence
Year: 1981
Complete Citation:
Wilson, Lawrence. “Ragtime: Its Roots, Style, and Influence,” 90-92. D. Mus. dis-s., Indiana University, 1981.Source: D. Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Wilson, P.T.
Year: 1994
Complete Citation:
Wilson, P.T. “Charles Ives: Consistent in Chaos; A Study of Selected Large Orchestral Works.” Ph.D. diss., York University, 1994.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Winters, Thomas Dyer
Year: 1986
Complete Citation:
Winters, Thomas Dyer. “Additive and repetitive techniques in the experimental works of Charles Ives.” Ph.D. diss., University of Pennsylvania, 1986.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Wolf, Henry Samuel
Year: 1957
Complete Citation:
Wolf, Henry Samuel. “The Twentieth Century Piano Sonata.” Ph.D. diss., Boston University, 1957.Notes:
Ives is one of eight com-posers whose sonatas are discussed.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes:
Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Young III, Harmon Griffith
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element inIves’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Zobel, Mark A.
Year: 2005
Complete Citation:
Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.Notes:
The author stresses his own interpretations of the protestant religious connotations of the hymn-tunes as used by Ives. See B1533.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
no author listed
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 2009
Complete Citation:
“Creó El Compositor Charles Ives Una Técnica Innovadora.” Notimex, October 19, 2009.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses