Image
Complete Citation:
Buhrman, Laurel Chenault. “An analysis of the music of Charles Ives.”
Bibliography
Genres
Buhrman, Laurel Chenault
Year: 1961
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Burger, Peter
Year: 1974
Complete Citation:
Burger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974.Source: Book
Reprints:
Burger, Peter. <i>Theorie der Avantgarde</i>. Frankfurt am Main: Suhrkamp, 2013.
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Burkholder, J. Peter
Year: 1990
Complete Citation:
Burkholder, J. Peter. “The Critique of Tonality in the Early Experimental Music of Charles Ives.” Music Theory Spectrum 12/2 (Fall 1990): 203-223.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1995
Complete Citation:
Burkholder, J. Peter. “Rule-Breaking as a Rhetorical Sign.” In Festa Musicologica: Essays in Honor of George J. Buelow, edited by Thomas J. Mathiesen and Benito V. Rivera. Stuyvesant, NY: Pendragon, 1995.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 2012
Complete Citation:
Burkholder, J. Peter. “Stylistic Heterogeneity and Topics in the Music of Charles Ives.” Journal of Musicological Research 31 (2012): 166-199.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Cantrick, Susan Birdsall
Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. Charles Ives’ “String Quartet no. 2”: an analysis and evaluation. M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. “Charles Ives’s ‘String Quartet No. 2’: An Analysis and Evaluation.” M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Castleman, Lisa D.
Year: 2013
Complete Citation:
Castleman, Lisa D. “A conductor's practical approach to "Country Band" March by Charles Ives.” M.M. Thesis, California State University, Long Beach, 2013.Source: M.M. Thesis
B. Theses
Christiansen, Erik
Year: 1996
Complete Citation:
Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.Notes:
<i>The Unan-swered Question </i>and <i>Central Park in the Dark </i>are chosen for consider-ation. Each is analyzed by five basic listening dimensions: timbre, pulse, pitch height space, movement, and intensity.
Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1996
Complete Citation:
Christensen, Erik. The Musical Timespace: A Theory of Music Listening. Alborg, Denmark: Alborg University Press, 1996.Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Clark, Philip Steven
Year: 1966
Complete Citation:
Clark, Philip Steven. “An analysis of the second movement, "Hawthorne," of Piano sonata no. 2, "Concord, Mass., 1840-1860" by Charles Ives.” M.M. Thesis, DePauw University, 1966.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Cole, Michael S.
Year: 1975
Complete Citation:
Cole, Michael S. “Concord revisited: Charles Ives and the American transcendentalists.” M.A. Thesis, York University, 1975.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Conway, Bret K.
Year: 1985
Complete Citation:
Conway, Bret K. “Harmonic evolution in Charles Edward Ives's 114 songs.” M.M. thesis, Baylor University, 1985.Source: M.M. Thesis
C. Baccalaureate Essays
B. Theses
B. Theses
Cowell, Henry
Year: 1954
Complete Citation:
Cowell, Henry. “The Music and Motives of Charles Ives." Center 1 (August-September 1954): 2-5.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Cox, Paul Walthen
Year: 1970
Complete Citation:
Cox, Paul Wathen. “An Analysis of Sonority Types in Selected Songs of Charles Ives.” M.M. thesis, Indiana University, 1970.Notes:
Discusses certain sonorities, quartal and quintal chords, polychords, clusters, and hybrid sonorities. Thirty-eight songs analyzed. Appendix B lists 114 Songs in chronological order with authors of the texts.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Cox, Paul Wathen
Year: 1970
Complete Citation:
Cox, Paul Wathen. “An analysis of sonority tapes in selected songs of Charles Ives.” M.M. Thesis, Indiana University, 1970.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Crain, Timothy Mark
Year: 1995
Complete Citation:
Crain, Timothy Mark. “Rhythm and form in Ives's Scherzo (Over the pavements).” M.M. thesis, University of Alabama, 1995.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Crook, David W.
Year: 1980
Complete Citation:
Crook, David W. “Charles Ives and nineteenth century American household music.” B.A. thesis, Redlands, CA: University of Redlands, 1980.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Curtis, Daniel
Year: 2008
Complete Citation:
Curtis, Daniel. “A conductor's thesis in three parts.” B.A. thesis, Amherst College, 2008.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Danner, Gregory
Year: 1984
Complete Citation:
Danner, Gregory “Ives’ Harmonic Language.” Journal of Musicological Research 5/1-2 (1984): 237-249.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses