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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Hwang, Mi Kyung

Year: 2010
Complete Citation:
Hwang, Mi Kyung. “Charles Ives’s Variations on “America”: A Musical Analysis Based upon Jazz Elements.” The Organ, Vol. 89 (2010): 26-35.
Source: Magazine
VI. Topical Studies
G. Music Theory Analyses

Iverson, Jennifer

Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’ Collages.” Music Theory Online, Vol. 17 (2011).
Source: Journal (online)
VI. Topical Studies
G. Music Theory Analyses

Jarrett, Alfred Roosevelt

Year: 1967
Complete Citation:
Jarrett, Alfred Roosevelt. “‘New Music’ in the U.S.A., 1960--1966.” M.M. thesis, Howard University, 1967.
Notes:

Ives is one of twelve com-posers discussed.

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Jensen, Diane M.

Year: 1980
Complete Citation:
Jensen, Diane M. “A study of ragtime elements found in selected works of Charles E. Ives.” M.M. thesis, University of Nebraska-Lincoln, 1980.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Johnson, Judith M.

Year: 2010
Complete Citation:
“Songs my mothers taught me: the sentimental ballads of Charles Ives.” M.A. Thesis, University of Washington, 2010.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Jones, Marged

Year: 1980
Complete Citation:
Jones, Marged. “Compositional techniques with suggested rehearsal strategies for selected choral works of Charles Ives.” M.M. thesis, Kent State University, 1980.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Jones, Sean P.

Year: 1995
Complete Citation:
Jones, Sean P. “The Life of Walter Brenner and a View of His Music via the Quartet for Flute, Oboe, Clarinet, and Bassoon (1964).” M.M. thesis, University of Missouri-Kansas City, 1995.
Notes:

Offers reasons how the study of Brenner's life “can help illuminate the lives of such American composers as Aaron Copland and Charles Ives.”

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Josephson, Nors S.

Year: 1978
Complete Citation:
Josephson, Nors S. “Charles Ives: Intervallische Permutationen im Spätwerk.” Zeitschrift für Musiktheorie 9/2 (1978): 27-33.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Kesson, Jane Haines

Year: 1950
Complete Citation:
Kesson, Jane Haines. “Four contemporary American composers.” M.A. thesis, University of Pennsylvania, 1950.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Kilian, Paul Henry

Year: 1975
Complete Citation:
Kilian, Paul Henry. “An historical & analytical study of Three Places in New England by Charles Ives.” M.A. thesis, California State University, Los Angeles, 1975.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Kramer, Jonathan Donald

Year: 2001
Complete Citation:
Kramer, Jonathan Donald. “Concetti postmoderni di tempo musicale.” Analisi 12 (May 2001): 5-21.
Notes:

Regarding “Putnam's Camp.” Includes musi-cal examples, comments, and tables.

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Kunze, Stefan

Year: 1974
Complete Citation:
Kunze, Stefan. “Raumvorstellungen in der Musik.” Archiv für Musikwissenschaft 31/1 (1974): 1-21.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Lacny, Catherine

Year: 1976
Complete Citation:
Lacny, Catherine. “Charles Edward Ives, 1874-1954: a biographical sketch and a treatise of the relationship between his political philosophy and his musical innovations.” M.A. Thesis, Rosary College, 1976.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Lambert, J. Philip

Year: 1990
Complete Citation:
Lambert, J. Philip. “Interval Cycles as Compositional Resources in the Music of Charles Ives.” Music Theory Spectrum 12/1 (Spring 1990): 43-82.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1990
Complete Citation:
Lambert, J. Philip. “Aggregate Structures in Music of Charles Ives.” Journal of Music Theory 34 (1990): 29-55.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1991
Complete Citation:
Lambert, J. Philip. “Ives and Counterpoint.” American Music 9, No. 2 (Summer 1991).
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1993
Complete Citation:
Lambert, J. Philip. “Toward a Theory of Chord Structure for the Music of Charles Ives.” Journal of Music Theory 37/1 (Spring 1993): 55-83.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Lambert, Jay Philip

Year: 1983
Complete Citation:
Lambert, Jay Philip. “Aspects of structure in the second string quartet of Charles Edward Ives.” M.A. Thesis, University of Rochester, 1983.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Loftin, Jeffrey Kenneth

Year: 2006
Complete Citation:
Loftin, Jeffrey Kenneth. “Harmonic language in 114 songs by Charles Ives.” M.M. Thesis, University of Arkansas, Fayetteville, 2006.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Logan, Adeline Marie

Year: 1943
Complete Citation:
Logan, Adeline Marie. “American national music in the compositions of Charles Ives.” M.A. Thesis, University of Washington, 1943.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses